Estomaqué par la qualité du son, un album Chô!!! à consommer sans modération!!!!! Track 1 : complètement jazzy-groovy-orientalo-cosmique, du grand art!!!!! Track 2 : un "délire" années 80 dans le pure style jacky hyper funky, bom bom bom bom!!!!!! un super titre enjoué et "ondulatoire", j'imagine déjà des bunnie's se tortillant sur ce son ;-D!! Track 3 : excellent groove, j'adore ce côté black-music Track 4 : la claque!!!!!!! (oups je me suis pris un string dans la tronche, non!! c'était un gode-ceinture, aie!!!!)Une future référence "HOT", bravo pour le son, démentiel, han!!!! Track 5 : whaou le son, à savourer grave avec un p'tit cocktail, un cigare et une pépé sur les genoux (une ou deux, ou trois, ou quatre, ou.....) Track 6 : ? onagain a bistoufly to the enjoly???? ayi bayo!!! ayibayo!!! olé copa cabanna, fiesta pour lil queen of da beach!!!! (en string je précise, et de préférence avec le tein mat et le sourire éclatant!!) En résumé : un album extraordinaire, merci vraiment Big pour ce nouvel opus remarquable!! BRAVO L'ARTISTE!!!!! Continue à nous faire groover comme çà!!!

Réactions en live : Truc de malade l'enchainement des ambiances sur la piste 1 ... très très fort ! le mélange funky groovy oriental classique !!!! énorme ! Bon bah c'est bien funky tout ça, bonnes ambiances, un peu salsa sur la fin, c'est marrant ! Une tite virée au pays di foutchebaul ! héhé !!! bravo m'sieur !

encore une jolie demonstration de ton talent parfaitement orchestré quoi dire de plus ces un regal qualitée sonore hyper chaude quel pied friand de se son a mort a quand le troisieme au plus vite j espere A CONSOMER SANS MODERATION CES CLAIR BIZZZZZ A VOUS

Un album sympa, plein de musicalité. Continuez comme ça :) .

le "Crescendo" est un rappel réussi de musique sacrée qui se relie et s'intègre avec bonheur avec le côté jazzy qui lui succède. Puis l'hmour, la légèreté(2ème morceau), J'aime beaucoup ce côtoiement de gravité et d'humour. "space Aviator" évoque un film ou un sketche et là aussi , ça se prend pas au sérieux tout en "maintenant un super bon tempo, et les voix: génial!! "Pussy XXX": pas triste non plus! La voix de la chanteuse est super, les musiciens assurent , que demander de plus? En conclusion: un electro jazz excellent, rempli de créativité et d'humour, vivant quoi!! Momoka

I can see marac's point of view, re: chaos. I have a theory about that!-) There is a lot going on and I can appreciate how that could be excessive. It kind of works better if you find the main theme and try and hang onto that, letting the many samples wash off like water off a duck's back. It seems perspectival to me. I can't remember who it was now, but they were employing a layer that became distracting and overbearing, which at a lower presence actually managed to work well. I happen to like the music, despite its busy nature, complexity and wild diversity of sources, but then I'm more like that internally. I sometimes compose music in my head, when I have the mental space, and it can revert to any source however disparate. So, I find a more relaxed pose helps the music do its work. It is very likeable, as was also intimated and The Ogg Vorbis is obviously popular, so there must be something there!-) I think what I intuitively feel is not conceptual work but an attempt at assimilating chaos in a musical fashion, which in a sense is trying to encapsulate life as it is experienced, expressed and transmitted in this form. Or, I'm maybe going too far myself and all that happened was, as marac suspected, a 100 samples were thrown together. I'd like to think that there is an artistic endeavour here though, partly because I like it and that is a reflection of myself, which makes it personal.

Quite good actually. Better than the first album. But too chaotic. Let's take, for example, no. 3 Space Aviator - what have we here? Jazz improvisations, strange electronic sounds, samples of an aeroplane, rap, funk, flamenco guitar, vocalise, atonal piano solo, slogan-chanting and many more - and all of this in under 6 minutes. It's almost like listening to a recycle bin of an audio editing program. I felt pity for all those samples that couldn't make it... Poor bastards. Maybe if they were shorter, you could fit another 50 or so? Please excuse my sarcasm - I like genre-mixing, but it's not enough to throw 100 samples into editor and press "save" button... Maybe you've done hard conceptual work here, but if so - you've missed it. The result is chaos. But quite nice chaos. :-)

Wonderfull Stuff!!!!....Thank's a lot! The Abogix (J.K.)