playlist artwork#12 this weekSelections from Turkish Delight the Opera, Live at St Mary's

von Turkish Delight The Opera

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  • Aktualisiert: 23/07/2007

Here is the long-awaited sound recording from the first ever workshop production of Giles Howe and Katy Lipson's new musical-opera Turkish Delight the Opera. These selections star:

Jane Garrat as Betsy Cohen
Jess Negus as the British Woman
Gareth Bretherton as the British Man
Alexander Albrecht as the Turk

Giles Howe on piano, tyros, and church organ
Katy Lipson on piano

The sound quality isn't the best as this recording was taken from a camcorder filming in a church, but it does document a moment in theatrical history - the birth of Turkish Delight.

Aside from Gareth Bretherton who reprised his role in the second production (the whole of which you can also download from jamendo), this production involves a totally different cast of singers. The roles of the Brit and of Betsy Cohen were written for respectiveley Jane and Gareth's voices. Jane (who incidentally has never had any classical training) is very unlikely to sing the show again, so it's great to have a record of her unforgettable performance.

Please download the other CDs from Turkish Delight the Opera and follow the show on it's journey from inception to... whatever will come next.

A showcase of some of the songs will be performed on August 2nd at Kägelbanan (Södra Teatern, Stockholm, Sweden) as part of the Gay Pride festivities. A UK national tour next summer is also being planned!

Giles and Katy (and also Gareth who played the British Man and Jess who played the British Woman) can be contacted thorugh myspace and can be found at www.myspace.com/turkishdelighttheopera

All songs on this recording were written by Giles Howe, except "Angel Delight", "Who The Fuck Are You", and Good Man" which were written by Giles Howe and Katy Lipson. The song "Jeremiad" was written by Katy Lipson. "Then It All Stopped" is based on a text by Xzanthia and "Another Day Goes By" is based on a theme by Jane Garratt.

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3 rezensionen


saelynh

hum hum.

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saelynh • 2007-07-23 22:34:35

on comprend très vite, dès les premières notes en faite qu'ici, c'est a un travail de professionnel que l'on a a faire. déjà graphiquement parlant : j'ai les nouveautée de jamendo via le feed rss en ce moment, la première acroche a bien marcher, c'est propre bien qu'un peu gnian gnian sur les bord, mais bon c'ets pas bien grave, temps que ça acroche hein :) en suite sur la performance, bien que de temps a autres quelques fausses note ce glisse par ci par là, c'est quand meme très apreciable. les quelques moins, le son déjà, l'enregistrement c'est pas très bon. ce'st domagable, et ça degrade l'ecoute. c'ets dommage, mais c'est pas non plus catastrophique (pas trop de basses, manque d'aigu, pas de stereo) ça reste ecoutable. en gros, c'est très sympa, je vois sur votre licence que vous acceptez la reprises de votre oeuvres a condition de mettre sous la meme licence le resultat. est-il possible d'obtenir les fichiers non compressée quelque part ? ( wav ou bien en lossless, .flac par exemple ? )
troll 69

marvellous voice

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troll 69 • 2007-08-10 16:10:15

10 voir + pour les vocalises superbes de Jane Garrat. Si vous craignez l'opéra contemporain,prenez le temps de découvrir "out of the horse's mouth: grandiose. C'est magnifique Il est vrai que l'enregistrement est effectué dans une cathédrale;çà reverb. Par ailleurs,le monsieur qui rit de façon complaisante agace énormément.Mais abstraction faite,c'est du pur bonheur vocal Maestra Jane Garrat,great thanks for your lyric's prestation It's so beautifull
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