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Vereinigtes Königreich
Registrierungsdatum : 13. August 2008
Neueste Lieblingsalben
Neueste Lieblingskünstler
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Perfect accompaniment for reading the likes of Henri de Montherlant. Reasonably paced, moving into a phase of slow-motion and culminating with a poignant conclusion. A unity of wills, perhaps?
A crowded head
There’s too much in there
I wish me dead
And why should you care
A busy mind
There’s too much in there
One of a kind
And why should you care
An aching heart
There’s too much in there
I fall apart
And why should you care
An aching heart
There’s too much in there
I fall apart
And why should you care
No cards to play, they’re on the table
From day to day I feel unstable
So where to go, and how to hide
When I do feel, so much inside
A searching soul
There’s too much in there
Without a whole
And why should you care
Back on the edge
There’s too much thin air
Each day I pledge
Not to go back there
Back on the edge
There’s too much thin air
Each day I pledge
Not to go back there
No cards to play, they’re on the table
From day to day I feel unstable
So where to go, and how to hide
When I do feel, so much inside
When I do feel, so much inside
When I do feel, so much inside
Back on the edge
There’s too much thin air
Each day I pledge
Not to go back there
(Enjoy!)
The inimitable style of Uberlulu warps a renowned classic with a dark, etheric flavour. Followed by the version hérétique, which has a curious, almost begrudging reluctance to it.
Gentle enough to lull the senses, like an ice-cold mist.
Plumbs the crevasses between modes of reality and unreality. As a result, has a naturalistic dark emancipation. However, subterranean as it may seem, this track also has the ability to appear to the ear/mind duality as quite ethereal. This opens the multiplicity of dimensional direction. Deeper as such, becomes relative, as well as figurative.
The perspectives are easy to form perhaps, which in a way proves the inescapable subjectivity of any attempt to foster realism with any sense of modernity. As it stands, very well orchestrated and controlled audio sculpture. The omnipresent is represented by the drone of everyday life, perhaps. The subconsciousness of surrealism arises in the personalised receptivity of the individual listener. As a field-recording it lends the album a flavour of scientific pragmatism, which naturally assumes a sense of progress. So, to a certain degree, if not literally, nothing we haven't heard before.
Gorgeous dark circumjacence, nominally lost but with an undercurrent of purposefulness. All figurative abysses being somewhat subjective. Excellent drone exploration of the sound of the void. The reality could be for eternity! "Life is short, the Art is long, opportunity is fleeting, experiment deceptive, and judgement difficult." (Hippocrates)
Some very nicely constructed electrickery. Fine listening and comfortable in a way. Certainly fitted in well for me and my wealth of variables. Even better on subsequent hearings, definitely grows on you.
Some very enjoyable experimental ramblings that produce some excellent atmospherics.
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