SouthOMike

There appears to be a change coming, and I am undecided if I'm liking it or niot. The choice of instruments is fine. The use of the alto sax in the 1rst & 4th song I did like. It's in "Far" that I have issues. Crecendos are meant to build to another elemet of the song, but usually in 4 measures, not in a minute and half! Once the peak was realized then it became a cacophny of synth laden work. If experimenting, Creix, keep trying...

"Marche Encore" begins this 6 song CD to a heavy groove beginning; tight bass line, wailing saxophone and a smattering of muted trumpets, giving it a jazzy feel.
"Move" continues with that tight bass line and steady beats of the drum, with stereoized guitar plucking and lush synthesizer filling in, combining to give an aural experience. The brass and sax's step up and add to the melody.
"Potrait" combines a subtle rock/jazz influenced melody. The brass instruments fill in the background, the ever present ominous bass keeps the selection moving and grooving.
"Transformation" leans heavily towards a jazz horn section, again with a steady bass line that keeps it all interesting as the melody swings around and around.
"Out Of Breath" begins with an Ottmar Liebert style, and steps right up to a near Robert Fripp eclectic style of guitar workmanship. Sustains kept it all from getting monotonous...
"Up And Down" is the shortest piece, but seems to be an amalgamation of instruments and styles. Sax, guitar, wind chimes, Glockenspiel - all interwoven to make a fabric that is amazing. This is my favorite piece, next to Marche Encore.
Well done my friend, very well done!!

« Marche Encore » commence ce CD 6 chanson à un début de groove lourd ; ligne basse serré, gémissante saxophone et bribes de trompettes muettes, lui donnant une ambiance jazzy.
« Bouger » se poursuit avec que basse serré ligne et régulière des battements de tambour, avec stereoized cueillette et luxuriante synthétiseur remplissant, combinant pour donner une expérience auditive. Le laiton et l'étape du sax haut et ajouter à la mélodie.
« Potrait » combine une mélodie influence subtile de rock et jazz. Le remplissage de cuivres en arrière-plan, la basse menaçante toujours présente maintient la sélection, déplacement et rainurage.
« Transformation » se penche fortement vers une section de cuivres jazz, encore une fois avec une ligne de basse continue qui conserve toutes les intéressantes comme la mélodie pivote autour et autour.
"Out Of Breath" commence avec un style Ottmar Liebert et étapes jusqu'à un style éclectique près de Robert Fripp de fabrication de la guitare. Soutient gardé tout d'obtenir monotone...
« Haut en bas » est la plus courte, mais semble être une fusion de styles et d'instruments. Sax, guitare, carillons éoliens, Glockenspiel - tous imbriqué pour faire un tissu qui est incroyable. C'est mon morceau préféré, à côté de Marche Encore.
Bien fait mon ami, très bien fait!!

"Summer Of `49" has an eerie presence within the measures. I'd put this up there with "Whiskey Lullaby" or "He Stopped Loving Her Today." Each tells of a love or life that has went to a place that is very, very dark. I see a video of this song, and the final lyrics "There's a knock on his door, there's a knock on his door, there's a knock on his door...." cutting to the guy sitting petrified to see who might be there, a cut to him peeping out from behind a drawn curtain, or a cut of an ethereal door appearing before him...
My thanks to Jon & Necessary Road for sharing this with us on Jamendo!

Just in time for "Valentine"'s Day, Tanya shares a sensual song that may give the ladies a chance to watch their guys squirm! Agreed, it is very blatant in its message, but....so what? It's good!
Once again, thanks for sharing with us on Jamendo...

T6 has given us another great set of tunes! Well instrumented and the alluring voice...oh yes. Therein lies the problem. Each song has a different sound, but the vocals remain in the same area, and to listen repeatedly would grow wearisome. Stretch those vocal cords to a higher, or lower range to show some ability! Even Mariah Carey with her 5 octave range, didn't keep using them with each and every song. Pick up a beat, drop or raise a half step and push a limit! Dare to be unique! Again, thanks for sharing with us on Jamendo!