| 1 | Line of Flight | 6:00 | ||
| 2 | Time Flux | 3:56 | ||
| 3 | Someone Else's Memories | 3:43 | ||
| 4 | Tree Tenants | 4:49 | ||
| 5 | Telluric Undercurrent | 6:43 | ||
| 6 | Outer Orbit | 5:07 | ||
| 7 | How Exciting | 4:09 | ||
| 8 | The Simulation Hypothesis | 5:12 | ||
| 9 | The Narrative Changes | 2:17 | ||
| 10 | Scattered Knowledge | 4:06 |
Thank you for this music. As other reviewers have said, this is a flawless album. Today I really like track 3 (Someone Else's Memories), but yesterday my favourite track was track 8 (The Simulation Hypothesis). Choosing only one track from this album would be hard, indeed. You'd be never tired of it.
すばらしいアルバム。ヘビーローテーションです。全然聞き飽きることがありません。
Flawlessly fused techno configurations of an eminently skilled artist. Some really awesome structures and melding of rhythmic magic, with a wealth of spirited sources made wholesome. Revolution Void lives up perfectly to the name, an understanding between the notes. Fantastic album and a part of the revolution indeed. Thanks for the listen.
The third Revolution Void production available on jamendo still has this specific electro-jazz flavour as usual, but at the same it’s slightly different in terms of emphasis on the technical side of the recording. When I listened to The Politics of Pleasure for the first time, I thought that guys from Revolution Void wanted to prove to themselves that they can do extremely crafty performed and neatly produced album. As far as I hear they succeded. The first three pieces is a constant show of technical proficiency on a double high speed. Only Tree Tenants slows down for a minute, but it’s an exception on a LP.
My favourite tunes are Time Flux – a very smooth example of how you may connect phat beats with enjoyable, almost flamenco samples, and How Exciting with sound that reminds me of the classic Deee-Lite’s hit Groove is in the Heart. The only remark I have is that the record is much less experimental compared to the previous two. I suppose my disappointment comes from my high expectations, because if it was a debut album I would pay respect to such a band. With Revolution Void however, I expect them to set new trends and not to repeat sounds that has been already recorded and are well-known (some songs on The Politics of Pleasure resemble Gotan Project, quite a manistream band nowadays). It’s two points down for that, but the record is sensational, so overall it’s nine because it’s still Revolution Void – a classy band with a classy music.
Stay cool,
galaktycznyzwiad.
Divatos, lendületes vuttyogás, prüntyögés, és vegytisztára savazott csillogó szaxofon, már az első számban. Ez persze a továbbiakban tovább bonyolódik, brutalizálódik, végletenként flamenkó, és hipháp, ciripeléssel fűszerezve. Igazi multikultúrális példány, ami hidat ver korok, eszközök és zenekultúrális határok között. Mindenesetre nem könnyű falat, de igazi kulináris élvezet a füleknek...
I dig this. It sounds like Amon Tobin if he used more conventional instruments and a record scratcher.
I like this album far more than the other two Revolution Void albums. It feels more loose, funky and powerful. I think that has to do with the excellent drums as well as the twirling, scratching beats.
Keep grooving. This is the kind of stuff that Jamendo was made for.
.. and I feel sure my children will wake to a happier, safer, greener world knowing music like this is avalable for free from such ones as you that produced this
thank you
One of the few artists on this site here that could actually be looking at releasing a record at some stage. Some nice ideas and fresh beats. Keep up the good work - Jamendo needs you!!
| Published | June 24, 2008 | ||||||||||||||
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