Figurative 1 is beautiful and has a lovely resonant melody. The second track sounds somewhat darker, with a lovely sinister bassline, then into a loose rhythm.
Figurative 3 is again deep and moody in an underground kind of way. There's something purgatory like about it, pictures of Bosch come to mind.
Figurative 4 is a brillaint array of experimental noise, dark and quite harsh.
Figurative 5 comes alive, a bit more ambient, if only for its' minimalist grouping of noises. Good structure with inherent rhythm.
Figurative 6 ambient for its loose rhythm and waves of synthetic harmony and intensity of expression.
Figurative 7 starts with a clash of cymbals and then sounds like a quintet of players ad-libbing, hoping that something good will emerge. It does in bucket loads, but the beat is so loose and diverse itself, let alone the rest that it going on to contribute to the apparent cacophony. It's almost like devolved music.
Figurative 8 burbles into existence, a bit moodier now.
Figurative 9 is free form electronica to the hilt, hanging onto the bleakness that being punk could be. The barren reality of a collapsing socio-economic system, doomed to failure. Figurative 10 presents more cool electronic noise experimentation, ambience with frantic percussiveness.
Figurative 11 jumbles its' threads into place, punk inspiration, electronic interpretation. Nicely done.
Figurative 12 begins with an exquisite bass beat, strong and assertive from the word 'go'. The sombre melody over the top and chimes adding to its boldness. Suddenly, there's a scattering of percussion which changes the whole tone and structure of the initial track, and it seems to work well.
Figurative 13 another strong track with experimental touch of experimental jazz. Cool cat kind of beat, but it feels like a gangster-club track.
Figurative 14 is slightly out of focus ambience, a punk one if you like. Then it cleans up and turns into a lovely little tune, that is quite restful, with some tidy synthetic touches towards the end.
Figurative 15 is more self-reflective musings over the anatomy of melancholy, with its burst of anguish and gnashing of teeth.
Figurative 16 starts very electronically, to the point of trauma, but soon calms into a more stoic discussion between robotica. But then the rhythm keeps kicking in with soap-box style flurries of activity.
Overall, really liked this level of diversity, I believe it's the way to be going.
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