Amli glitters sonically at me spaciously, it gives me room to recover over my day of panic and potential sorrow. Relief, for now at least... The track is simply effective through its very simplicity, and is quite soothing to this troubled spirit of mine!-) Tulo seems to continue the symphony, but from a slightly different perspective, represented by new, additional sounds and echoes. Beat becomes more obvious at times, leaving less to the imagination (or can I really hear/feel those larger, subtle patterns?). The melodies starting to build and complexify. Then, the background becoming the foreground the tune begins to come and go. It's like a soundtrack for a slow motion piece of film, or one running over miles of wild countryside. Isev arrives like a train with plenty of 'background' noise, then synthetic noises start to scream silently around the large structure of the track, interspersed with flourishes of drumbeat. Then that sound's back, like the one that used to literally pin my head down to my bed overcome with channelling energy in an uncontrolled manner. It still gets me now, which is why I could associate with the likes of Tangerine Dream, in which softspace have managed to achieve a high bar, but then so has this album too so far, but in a different, and slightly more darker, complexified way. I am no longer that child, far from it some days!-) Seim starts wonderfully with an that slow but sure build up of soundtrack noise, again the sense of movement, the simplicity of tones but complicated relationships are what make it evocative. In all these tracks so far is the sense of propulsion, movement, not just the inner kind but I can imagine it being used to support panoramic scenery and going overground, without going overboard. Ilut has a totally different feel to begin with, seeming at first to be darker, but it's so obviously organic, and even the digital interpretation comes over that way at first. However, it warms itself up as it progresses and you find yourself transported again but in a more 'liquid' fashion. Like making your way through the atmosphere of some strange new world somewhere out there, within some strange, new element, that changes everytime you think you got the hang of it. Followed by Aam, a ten minute soundscape, that starts quite chilled, fresh, unexplored world kind of way. This track, I think, is that exploration of uncharted territory for the listener (and perhaps the performer) that is within/without us all. It just depends on how far you want to get involved. KraftiM's music has always appealed, among others to be fair, and I feel safe enough to say that this seems to be a progression from other works, all of which are brilliant in their own right, it's a dynamic transition. Keep up the good work!-)
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