| | 1 | Bring On The Sudz | | 4:43 |
| | 2 | Senhor Softee | | 5:31 |
| | 3 | The Marvin Stomp | | 5:21 |
| | 4 | Speechless | | 5:03 |
| | 5 | The Eagle Has Descended | | 4:43 |
| | 6 | Nilestones | | 5:52 |
| | 7 | Land O' Debbies | | 5:08 |
| | 8 | Blues For Chucky | | 4:50 |
| | 9 | The Sumo Glide | | 3:01 |
| | 10 | Munton's Revenge | | 5:50 |
SPEECHLESS changes the colors of the room. Things happen. Cheesy cultural artifacts sprinkled on sarcastic spaghetti. Mood music for non-linear equations and unlikely postures. Doesn't require drug-ingestion... IS drug ingestion. The grooves moves and the sex is textural. Beat science for curved dancefloor.
Speechless was one of five nominees for Best Electronica CD of 2004 for indie music organization JFP (Just Plain Folks) that covers music from 85 countries in over 60 different genres of music. It's been remastered and re-released with a new track.
Speechless - Review
It's all too easy to slot instrumental electronic albums into neat little subcategories. Exotic world music instruments with heavy dance beats? "Tribal techno," right over here. Jazz soloists playing over synthesizers? Go stand over there under the sign that says "acid jazz." Brazilian rhythms mixed with lazy electronic billows? Um, okay, let's call you "electro-nova." This obsession with assigning slots to everything is a huge part of what makes newcomers and non-fans dismissive of the style as a whole: clearly, the records must actually be fairly interchangeable once they're categorized. That's definitely not the case with Polarity 1's Speechless, which is a big part of what makes this such an enjoyable release. All of the above elements are to be found here, occasionally within the same song, along with the clever, rhythmic use of found-speech samples and a wider variety of arrangements than usual, ranging from '70s-style fat slap-bass lines ("Blues for Chucky," "The Sumo Glide") to more abstract soundscapes built of cut-up rhythms and pealing saxophone solos ("Land 'O' Debbies"). It may not be easy to categorize, but with its inventive rhythms and wide-ranging choices of instrumentation, Speechless is thoroughly entertaining. ~ Stewart Mason, All Music Guide

| Release | February 13, 2009 | ||||||||||||||
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