by Virtualman
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experimental instrumental ambient noise fantasy
| 1 | Four Billion Years | 3:08 | ||
| 2 | Sleepwalk | 8:09 | ||
| 3 | Creation | 4:37 | ||
| 4 | Stonehenge | 7:12 | ||
| 5 | Floating | 6:02 |
Wondeful, strange - great stuff. I like it very much.
Wow, as soon as I checked out, "Virtualman" album. I was in awe, at the phenomenal, heavenly, choir like vocals,first ladies light and feminent and then male deep and strong. and the captivating, ambient, airy, enchanting, spiritual music that put me under a spell instantly, I was moved to tears, as I listened and felt the beauty within this album start to unfold and come alive..
As you listened and see, the images that accompanied the music, the stories, started to take shape and form, you see things, you touched, you heard, you see with big open eyes. What the musicians hoped you would see, come alive in his music.
Extraordinary, outstanding, talent,in the making of this album, is profound.
I enjoyed listening to this album this evening. It is lovely, ambient, relaxing, and it mostly leaves you alone to think. I needed that, thank you.
Strange, with original ideas. Good choice for the sounds. While listening, makes you imagine new worlds.
Four Billion Years is litlle of supprise. Didn't expected vocals and choir in Virtualman's tracks. But it fits, sensitive, eatheric, spiritual and again so minimal (that means great :-)).
Sleapwalk continues in general thone. More recognisable cosmic spaces with slow moves. Time moves veery sloowly here leaving us time to enjoj in every single carefully choosen sheet of sounds. Arpeggios are are coul in combinations with deeps here. And again suprises in trapping upp tempo and speed until the end.
Creation is more noisy and braks solid line this album follows from beginning. Which is as any change, again good move. I like this one for it's different tone. But Virtualman returns in calm water and puts this in general context with piano and deep, again, synth.
Stonehenge reminds me on Enos "On Land" in first minute. V. use same instruments as on previous album but here to achieve more earthly and flowy feeling. Stonehenge's function here seems to unite elements after creation in new being - ambience of earth, air and water with traces of fire in distant thunder. I am little slow here, and first here I catch elements conotations important for not only this track but for the whole work. Human voices in spiritual sence from beginning are present in every track in more or less synthetic form puting homo sapiens among elemrnts of life.
Floating continues on this but have different colour at the beginning which I like very much. Floating takes buck in more airy spheres. And finishes our trip among elements in grand style.
Now. You could listen this awesome piece in whole different way off course. What is important is that it is another one beutiful sound sculpture worth listening and treasuring. Thanks my man for this!
The choral sounds and lilting layers of tinkling music, transport me to a place that TD helped me achieve, when I was so much younger than I am today. Then it was Rubicon and Phaedra, two albums that have remained deeply embedded in my psyche. Sleepwalk, for me, portrays a sense of our journey as an evolving species throughout the eons of existence. That being just a small piece of the previous few billion years. A snapshot in the album of the universe. There are sounds of birth and rebirth within this track, of doing little things as if they were big, and vice versa. Lends a sense of perspective to the single human effort at being. As pitiful and conversely so full of potential as that may be. A track of adventure and experience, with many perspectives.
Creation, a many conjectured source of investigation. I am inclined to envisage the primordial soup bubbling away, giving birth to the building blocks of our forebears. And, a sense of the curious, initial spark of life that begat the conjoining of molecules. Something of a romantic idealism perhaps, but the piano captures it well. Meanwhile the cosmic cogs turned regardless, ultimately keeping us in our place, in the grand scheme of things overall. Incomprehensible as it may be. Then, our reverential roots are touched upon, with Stonehenge, and a reference to one of mankinds first efforts at attempting to understand our place in the cosmos.
I can hear in this track, some influence, which I cannot help but fully endorse and support. The 'dream' being so dear to my own heart. Difficult to avoid thinking of the dawn of mankind and a testimony to those early questions arising in a comparatively primitive consciousness, and yet one that was perhaps nearer to the answer than we are now, for all our technological abilities. Excellent variations throughout, in each track and that overall sense of wholeness, that comes from the collectivity that some of us are still able to tune into.
Finally, the last track, puts it all back into perspective. As I said, despite our accumulation of knowledge and resulting wisdom, we are still, in the greater picture of existence, Floating. Suspended by forces we can only attest to by their effects. Invisible, yet undeniable superstrings of causation and their only sense of proof, according to our investigative faculties and meagre understanding. Knowing sometimes achieves more with less effort. A nice, mild warm down track that earths the listener, by a recognition of our tenuous, delicate balance of being. One star, amongst infinity, draws us and holds us in its sway. A drop in the celestial ocean.
Yes, it's good. For my taste it could have a little bit more melody, but surely it gives a good ambient.
As I strictly oppose the idea of a "Creation" :), the song "Floating" is the best by far on this Album.

| Release | July 15, 2009 | ||||||||||||||
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