The first track is a rushing whirl, like the wind on a wild steppe. Prokopjev flows along with a sense of minimalist progression. This alters the flight plan slightly with Vogel Kampf. Although, maybe feathered fight plan would be more appropriate. For me, it is the fourth track, Katia y Nadia, that strongly introduces a dark element. Up until now, it has seemed more elemental. Admittedly, the elemental has a historical as well as contemporary (though less so nowadays) perspective where the meteorological machinations inculcated a fear of the unknown, or at least the misunderstood. The final track, turns the curve of the circular pattern of the aetheric tide.