instrumental drone improvisational artrock noisepop
| 1 | Wendigo l | 6:13 | ||
| 2 | Wendigo ll | 2:08 | ||
| 3 | Numbers | 4:49 | ||
| 4 | The Cabinet Door | 5:30 | ||
| 5 | Meadowlake | 6:01 | ||
| 6 | Oh Gosh! Oh Golly! Oh Wow! | 5:16 | ||
| 7 | Excalibur | 4:36 | ||
| 8 | Faces I've Seen in the Water | 7:06 |
Aokigahara Woods is my follow up to Antelope. Like Antelope, it contains a prominant bass and clean guitars. Aokigahara contains very little percussion and revolves mostly around guitar/bass interplay with some keyboard, violin, piano, and noise for good measure. Songs here are repetitive, simple, quiet, loud, noisy, melody centred, and long.
Aokigahara strips away all the punk influences I used to have along with most of the folk influences of the prior album. Aokigahara has a 'krautrock' influence, though I normally despise the term it seems to be the only thing that comes to mind. The album contains alot of improvised melodies making it more unique, but less focussed then Antelope.
Aokigahara isn't as good as Antelope in my opinion, but it represents things that I look for in music...Repetition, melody, simplicity, instrumental focus, and an original sound.
Banjii: Guitar, Bass, Percussion, Synthesizer, Piano, Violin, Sound Effects
| Genre | Instrumental Rock | ||||||||||||||
| Release | January 13, 2010 | ||||||||||||||
| Published | January 13, 2010 | ||||||||||||||
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