Dream Traps & Black Cats

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rock psychedelic pop psytrance 60s alternativ artrock

6 tracks

35:29

1	Monkey's Dance	11:01
2	Bits to Pieces	5:32
3	A Man with a Plan	6:27
4	Until I See Me Again (for Syd, Suzanne & Ilu)	1:02
5	Rhythm of Water	4:58
6	Terminal Sorrow	6:29

Album description

It's been a long time coming..

The first instrument tracks for this album were recorded over three years ago (before Margin of Safety even existed) by me and Mika. Since we started we've been trhough four different recording hardware (computers, digital recorders, microphones, amps and all-sorts periferials) and that in the end resulted in a varying sound quality throught the tracks.

That in count and all other overlapping projects, lack of faith and pure lazyness, the completion of the work kept getting delayed indefinitely.

There were times when each one of us suggested that we scrap everything we've recorded and start from scrach. If we had done that, the album would have been finished at least a year ago. But that wasn't realy an option considering all the work we had already put into it.

Two tracks got dropped from the album (one of them will be re-recorded for our next one and I promise, that one will NOT be three years in the making), one short song was composed and recorded a while ago.

All in all Dream Traps & Black Cats turned out to be a different album than the one we started recording, and that might be a good or a bad thing. But here you are, our first album that due to circumstances came out fourth.

This is what it used to be like..

All music by Margin of Safety
Lyrics by Jari Schroderus

Mika Hiironniemi - Drums, percussion, MIDI-tracking, recording, mixing, poducing

Petri Koivistoinen - Bass guitar

Jari Schroderus - Guitars, vocals, MIDI-tracking, harmonica, co-producing, coverimage

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Reviews

c_stanley

Powerful Music - Weak Vocal

25/06/07

I have to agree with kocio. The vocal on this record does not hold up to the goodness of the music. I understand the aesthetic that vocalist is attempting, however, to me, that aesthetic is misplaced here. This music is too good, too strong for the skinny, thread vocal as presented. Compared to the music it seems the singer is always holding back.