"the middle line" - Some eerie sounds with a really weird rhythm, possibly in 5/4 time signature... The guitars angrily blast out in the chorus. The repetitive bassline, the rhythm that's hard to follow, and the blast of noise in the chorus, remind me of "Somewhat Damaged" by Nine Inch Nails. Very industrial.
"candid" - It's a very weird-sounding piece, but is also much more catchy than it's weird (especially the chorus). I'd call it pop rock if not for the really weird guitar and the manic drums. There's a lot of varied layers throughout the track.
"make this end" - Okay, not a catchy rocker. More of a ballad. The guitar that begins becomes a bit repetitive, but there's more guitar layers kicking in after, with some nice singing and harmony. Then there's some awesome guitar chords and a few drones. Reminds me of "weird medicine" from this very artist's "tasteless" that was released a year after this.
"starving babies" - A track with crazy, out-of-tune guitars more one-off guitars replacing each other. It sounds a bit mad.
"demons asleep" - It's a shuffle-y song, with a catchy, solid synth riff in what I thought was a chorus. There's some more random, out-of-tune guitars here and there.
"angry machine" - This one is a rock track. There's both solid guitar chord progressions and a booming, low riff in the chorus, and the crazy, seeimngly random guitar screw-ups which already become a staple of the album at this point. This time, they're actually pretty catchy.
"locked in" - There's a quite loud bass line that repeats almost for the whole track, and I think it almost mutes the other guitars. The song has a pretty good outro, though.
"drive me" - A very weird reverse synth (or perhaps a reversed guitar) I like a lot, continued for most of the track. There's some very good guitars, too. All of these make for another catchy song. This is also the first time I've successfully managed to figure out what the singing is ("drive me, drive me away..."). These lyrics fit the moment nicely.
"holy gangstas" - A chromatic, and rather fast song. There's a weird, seemingly misplaced short part that only has synths and the singer, but it's a nice break from a pretty repetitive song.
"constant liar" - This song has a very low rhythm guitar part played at one note repeated for the most song, but it actually gives a better accompaniment to the song than the bass line in "locked in". There's some varied guitars, too.
"hopeless antem" - It mainly consists of a repetitive drum rhythm and loud guitar blasts in between. The singer almost whispers when there's only the drums, but bursts out with screams behind the loud guitar parts. After two such progressions the drums are joined by a synth noise counterpart and everything sounds together. Every progression has the guitar blasts lower and lower... I thought that was important. The song reminded me of Nine Inch Nails' "Wish", only without a chorus.
I don't know... I think I liked "tasteless" better. You may have noticed that my track-by-track review was pretty repetitive, and I think it's because this album mostly relies on the same things - quiet/loud guitars, out-of-tune guitars, and the occasional synthesizer popping in. Plus, I think it's either the bitrate I was listening to it at, or the vocals were mixed lowly - in "tasteless" they're more inteligible. Plus, the aforementioned loud bass line in "locked in"...
However, this doesn't make this a bad album. Even though the album follows the same formula, it has a lot of its 'moments', and I think this album scored more favorites from me than "tasteless" - "the middle line", "candid", "make it end", "angry machine" and "drive me". It's just "make it end" has a little amount of quirks that made me giving it a 9/10.