Yep, I was one of those kids who would play with a radio, wandering through the wave lengths. I think I got an E.T.I. transmission once, but didn't understand it then, but I need it now. There something disturbed in this, a disruption in the rock sound. It's got some guts for sure, although it has the odd tender moment. There is an element of convergence for sure, and it is essetially it's almost as if the same temperament is applied however the track tries to hide it. There's a lot of power when it is being powerful and it is done well, but you got to dress it right. Strangely enough the track that caught my ear was Silent, it was better balanced than some of the tracks maybe. The synthetic element works better for the artist, than the plaintive guitar work up necessarily does. It used to be my attitude to a car or a bike, why have a bike that will do 150 if you're going to only do it once in a while, you ride the bike like you'd be happy to do so, as if it really mattered how you went. Now you are just a number in a list of casualities. So, all-in-all there were some really good moments in here and I say it works better when you wind that throttle right up. Be interesting to see which way it will go.