Music For A Film

>Another full-length album by Daniel. As the title describes, it is a composition exercise, to make a suite of variations over single catchy music theme to permute it through all illustrative moods and arranges -- just as the film music composers do. From the first notes of the opening song, to the End credits we immerse in different music world and almost see the act, which this music could accompany. Song titles are not very sophisticated -- look more like workshop notes for the sound engineer for final film montage: Action Scene, Love theme, Epic intermission or utmost funny Elevator music. The arranges are simplistic: drum-machine with electric and acoustic guitars -- but the effect is spacious and monumental. Contrary to the Beethoven album (which was the first of Daniel's releases I've heard ) the lack of bass guitar is barely heard and almost unnoticeable, also the beat-box sounds more natural, although this album was mastered EARLIER -- just another puzzle. But who cares? Outcome is marvellous. Every of my friends -- who usually listen to commercial pulp served by country-wide radio stations, and by whom I am renown as person listening to weird and experimental music -- actually said, that they like this album very much. Any final notes? I liked this album very much too. Intended as just music background it is really nice piece of work even as stand-alone creation. I give eight stars [++++++++--].

Awesome, powerful, progressive heavy rock album,fantastic, compositions on all tracks, amazing, sound quality, and a very talented, soundtrack album. Tells a story from start to finish as you check it out, and really listen.

I love all this music. It's perfect for soundtracks in my movies.