Tasteless

"my great descent": A creepy track, with a very chromatic piano and with either wailing or very low processed guitars.
"the game": There's some jazz drumming rhythms and piano progressions, with wailing guitars being a background layer, although they take up more and more space as the track progresses. Vocals are more intelligible on this one.
"mr weirdo": An awesome piano riff and guitars that blend in with the progression. Vocals provide more texture.
"tasteless": The drums and piano take up more space on this one, and there's a synthesizer buzzing in the background from time to time. The sometimes falsetto vocals contrast with the low piano.
"spacecat": Being a more funk/hip-hop oriented piece, it has some great guitar riffs and even has two synthesized organ-like breakdowns.
"deep catchy hole": Very heavy drumming on this one. Synthesized bass. Guitars take the main stage some time later.
"all you've never felt": Another jazz-like track, with the piano and drums taking the main stage again.
"take the virus out": A very heavy guitar riff and screeching, disturbing breakdowns.
"something's wrong": This time the full complex enters - jazz-like drums and guitar layers in different octaves, joined by a dark, chromatic piano and noisy synthesizers in the chorus.
"the only way out": Another guitar-dependent track, with different riffs entering at different timings.
"the price": The first and only track that's heavily affected by synthesizers and programming, although there's a clear guitar in the chorus.
"weird medicine": Although the weak verse parts don't really make you want to carry on with listening, the track has a very optimistic and strong chorus. Note the absense of drums.

I see some comparisons with Nine Inch Nails here. I agree, but would like to assert it my way: this is what Nine Inch Nails could sound like today if Trent Reznor was listening to modern rock bands some more.
I really enjoyed listening to this album. I especially liked "mr weirdo", "tasteless", "something's wrong" and "the price". Whenever I'll get the chance to download this album, I sure will.

The comparison with NIN is inevitable, but FBS sound as good as. Worth to hear and to download.

Well, I do like it a lot, actually, the vocals a tad fuzzed, which reminds me of NIN and that's a good thing. All that created mostly by just one guy - impressive (one more thing in common with NIN;).
And the best part - it's free! How good is that?

This music is well produced, heartfelt and intelligent. The lead singer's voice has a pleasing depth and tone that reminds me of some of the best vocalists from the 90s.

Do you know what.. i am a little late in checking this album out. But hells bells. they always say, the later you are... the sweeter the taste..And this sure is.. This is a deep, hypnotic, meaningful, rock, pop,classical piano, electronic, drumnbass, album.With nice style and class from the piano notes and bars played... Mixed into the tracks. And a voice that is blissful bewitching, strong and compelling let alone interesting and all rolled into one. I just loved the whole joyous feel about this and the atmosphere was electric and upbeat, yet cool and casual at the same time, that came off this album. That just buzzed and whirled around my brain. And each and every single track, just got better and better... This is addictive, euphoric and makes you want to learn each and every lyric heard and sang about. Let alone makes you want to keep this and keep playing it over and over again.