playlist artwork#12 this weekSessions 2011

by The Children of Mu

Tracks

1 10:20 218 listens
2 15:10 146 listens
3 7:08 70 listens
4 4:59 55 listens
5 7:35 32 listens
6 9:07 26 listens
7 18:23 24 listens
8 18:32 17 listens
9 13:18 11 listens
10 12:47 7 listens
11 15:56 7 listens
12 11:53 7 listens
13 3:32 9 listens
14 10:04 8 listens
15 7:55 7 listens
16 7:26 7 listens

About this album

  • Updated: 19/12/2011
  • View credits
    • Wierbonski: Publisher, Producer.

TRACK LIST & SESSION NOTES

1. The Two Sided Square – First section was recorded on 5/22/11 at the Anthill 2 with Justin Wierbonski on Cuica, James Bess on Percussion, Jeremy Powell on Sax and Electronics, Rex Shepherd on Guitar, K. Paul Boyev on Electronics and Adam Deimling on Bass. Second section was recorded on 5/1/11 with Justin Wierbonski on Drums, Kevin Wilder on Electric Keyboard, Gonzalo Ovelar on Pecussion and Adam Deimling on Bass.

2. Khepra – Recorded in Adam’s Living Room on 10/27/11 with Justin Wierbonski on Drums and Laptop with MIDI keyboard, Manny Lopez on Tambora & Congas, James Bess on Zanzithophone and Analog Synth and Adam Deimling on Bass.

3. Slabs From Patambo – First/Main section recorded on 5/1/11 at the Anthill 2 with Justin Wierbonski on Drums, Adam Deimling on Bass, Kevin Wilder on Keyboard, Gonzalo Ovelar on Percussion and Christopher Kirk on Laptop/Synth. Zanzithophone overdubs by Justin Wierbonski. End section recorded on 4/24/11 at the Anthill 2 with Justin Wierbonski on Drums, Gonzalo Ovelar on Percussion and Christopher Nadeau on Guitar.

4. Innumerable Waters – Recorded on 5/1/11 at the Anthill 2 with Justin Wierbonski on Drums, Kevin Wilder on Keyboard (& left hand bass) and Gonzalo Ovelar on Percussion.

5. The Tau is Mu Emerged – Same as 2.

6. An Altar Painting – Same as 2 and 5.

7. The Lands of the West – Recorded on 5/22/11 at the Anthill 2 with Justin Wierbonski on Drums, Adam Deimling on Bass, Jeremy Powell on Sax/electronics, James Bess on Zanzithophone/Electronics, K Paul Boyev on Electonics and Rex Shepherd on Guitar.

8. Pillars – Same as 2, 5 and 6

9. Kin, not Ra – Same as 7.

10. Uighur – Recorded on 4/24/11 at the Anthill 2 with Justin Wierbonski on Drums, Christopher Nadeau on Bass, Guitar and Noise, Gonzalo Ovelar on Percussion.

11. The Tree of Life and the Serpent – Recorded late September at the Anthill 2 with Justin Wierbonski on Drums & Laptop.

12. The Calendar Glyphs – Same as 7 & 9.

13. Menevis by Hermes – Same as 2, 5, 6, and 8.

14. 22nd Ave South – Recorded in September at the Anthill 2 with Justin Wierbonski on Drums, K. Paul Boyev on Bass, Rex Shepherd on Guitar and Jeremy Powell on Sax and Electronics.

15. Seven Great Commandments of Creation – Recorded on 6/1/11 at the Anthill 2 with Justin Wierbonski on Drums and Jeremy Powell on Clarinet and Laptop.

16. Same as 2, 5, 6, 8 and 13.

All tracks were 100% improvised except “22nd Ave South” which was an improvisational structure based on the original composition by Justin Wierbonski (Released on Justin Robert – Coruja)
All tracks were edited, mixed and produced by Justin Wierbonski. All tracks recorded at the Anthill 2 were engineered by Justin Wierbonski. All tracks recorded at Adam’s Living Room were Engineered by Adam Deimling. 

The tracks of this album are published under a Creative Commons licence, check the licence associated to each track.

Reviews for "Sessions 2011"

5 reviews


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Carybe

So, what's a sophisticated album like you, doing in a place like this?

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Carybe • 2011-12-20 13:02:56

Even for an undiscriminated and avid music consumer like me, this was a though one... I mean is. But you know what they say... when the going gets tough, the tough get going... and I'm far from being an expert, so what I do is trust my intuition and escape the best I can from the common sense and preconceptions and make of any listening, a personal challenge experience. And what happens, is that quite often, it returns as a very rewarding one. Then, there I stood, like David before Goliath... sure it's also a very long album... so I went for a scotch, which in fact happened to be irish, and finally pressed on play. It must be understood that, my headline, is in no way directed towards any form of discrimination or sectorisation. The fact is and that must be undoubtedly handed, we are in the presence of an improvisation based and conceived musical work, with all the risks and dexterity requirements associated. And it is not necessary to be an expert, to understand at least what's at stake. Whether one likes it or not, it's right away perceptible that, this is really a praiseworthy and meritorious work. The quality of the musicians is too much of an evidence and despite that structural and musically, it may be of difficult access to the average music appreciator, some daring and persistence, will not only do the trick, as even compensate. Jazz is not, by itself, really an easy kind of musical genre. And then, constant generic variations and dispersions... and extensive tracks, also don't help its accessibility and generalization. The structural lines, that could serve as a safe port or vehicle through and along them, not only are often quite complicate as even absent. But and despite these or any other considerations related to the inherent difficulties that the genre may initially present, they must not constitute an handicap or a barrier to the curious and musical adventurer. Instead, they may and must be regarded as a challenge of discovery. And in the case, I'm sure, it will end up being quite a compensatory and thrilling experience... and finding out more about our limits, comes always also, as a part of it and allows us to go even further next time. Talking about ending up... there's also no more scotch... I mean irish... I mean whatever... it wasn't really necessary, anyway... just an excuse. What's yours?
Wolfsong.thePoet

Massive Doses of Goodness in Jazz Fusion . . .

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Wolfsong.thePoet • 2011-12-24 04:35:48

I would love to see you in action in the Anthill or Adam's Living Room . . this is ultimate jazz . . . I hesitated to listen, as I thought it would be more eclectic, or perhaps mystical, due to the name but this is really enjoyable . . . to a jazz fan. There was lots of power and professionalism behind those drums, sax, keyboards and bass . . . were these tracks improvisation? Loved all those little nuances as the varied instruments spoke, sang and danced with each other . .. These tracks were so powerful . . . in improvs such as these . . .its important that all the instruments play well together . . like children in a playground . . . giving respect and playing by the rules . . . that's what I hear here . . . and it warms my bones . . . Sometimes a piece really captivated me because of the rhythm . . the beat in "An Alter Painting" was physically mesmerizing and the use of electronics and bells and whatever else, added an unique embellishment that created quite an artistic expression . . Sometimes an instrument would step up and shine with its own talent showing . .. each piece had an edginess that was remarkable . .. and I recommend this highly to jazz fans . . . P.S. Confession . . I have only listened to half the album as it is very long and very rich . . . like good scotch . . . or a heavenly dessert, needs to be taken in healthy doses . . . I'm saving the rest for later . . . :-D
RebelRaiser

Hors du lot !

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RebelRaiser • 2012-02-01 18:11:32

Un album assez étonnant ! Des longues plages d'une musique complètement ou partiellement improvisée. Musicalement, c'est du jazz rock très fusion assez délirant. En tout cas, c'est quasiment sans limites sans se prendre la tête comme ca vient! Et moi, j'adore ca ! Quasi parfait ! J'en redemande ... Vivement les sessions 2012! :-))
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