...bis es sich einem erschließt. Natürlich bedarf es mehrerer Durchläufe um alle Facetten zu entdecken. Aber hier hat es schon beim ersten Durchlauf bei mir "klick" gemacht und das Gefühl etwas Großes zu hören stellte sich ein. Stilistisch fusionieren harte Rockelemente mit neo-romantischen Passagen, filigranem Art-Rock und faszinierenden, eher für diese Musik ungewöhnlichen Instrumenten wie z.B. Cello, Trompete und Akkordeon. Vieles erinnert dabei an Porcupine Tree bzw. Blackfield, allen voran Steven Wilson, aus dessen Feder diese genialen Songs geradeweg stammen könnten. Langeweile kommt zu keiner Zeit auf, denn jeder Song ist erfrischend anders und trotzdem erscheint dieses Album wie aus einem Guss. Was hier von hochkarätigen Songschreibern und Musikern beschert wird ist ein besonderer, intensiver und intimer Hörgenuss. Damit ist "Dancing Bird to Fall" eine DER, wenn nicht sogar DIE Veröffentlichung des Jahres 2011.

Merci, du très bon, un superbe cadeau.

Really inspired songwriting. Cure in arrangement. Vocals remind me Tom York. I prefer the most melancholic tunes. - Really good production.

Schwermütiger, teils düsterer Neo-Rock, aber der vom Feinsten. Wunderbare Leads, starke Songs, eine eindruckvolle Stimme. Dazu ein ziemlich gutes Recording - da passt einfach alles! Eines der besten Alben, die ich hier auf Jamendo bisher gefunden habe. Bitte mehr davon! Keep on drivin'

Un plaisir pour les oreilles =) !

Super album, merci pour l'écoute !

Ma petite préférée est So Close !

"Falling bird to dance" The soft, controlled male vocal entry was both relaxed and mood filled. Percussion and keyboards added the frame and canvas, guitars added a little colour here and there, but for me, the vocals produced the paint and the very essence of the piece. "Angoscia" A stiff thudding bass emphasized the percussion as it forced the theme on. The drive and force from the percussion/bass combination enveloped the slow guitar riff that floated just below the surface. As the vocals worked its way through, it simply added to the slow and chilled feel of the piece. "Sardam" As the guitar belted out a Pop/Rock riff that completed with percussion, the vocals struggled to compete with the share force and volume. The "Oi" vocal harmonies initially produced some confusion for me. There were great moments, but I didn't think there were enough to keep the high standard set be the other pieces. "So Close" Acoustic guitar and excellent vocals return to take the pace of my heartbeat down to a strong, slow beat that matched that of the beautiful sound entering my ear. "Priapism" Pace and grace stepped up to the plate as the rhythm and force developed a backbone that the guitar riff built a skeleton around. The vocalist then put meat on the bones. The pace and intensity of sound moved to a near unbearable pace but still delivered style and grace through and its clarity. Fantastic construction and variety. "Epiloque" The maracas and acoustic guitar's smooth entry delivered a polished soft Rock style. The entry of the vocals sealed the deal. The slow percussion, synthesizer and vocal combination was just right. I didn't think much of the "La, La Lah" vocal harmonies, but the "Like That" vocals were on the spot as they resonated with the kettle drum. The collection was well crafted and mainly had a very polished/professional edge to it. The pace and force in "Priapism" were wonderful. The vocals in "Falling bird to dance" and "Angoscia" were excellent. Though I had a critique or two, the general quality was very high and all the parts worked together to produce the ingredients that contributed to a superb collection.

Una de tus canciones en el programa 78 de la Radio Copyleft. http://radio-copyleft.blogspot.com/2012/01/radio-copyleft-78.html Gracias por compartir....