The thing I like about 'drone' music is that there can be so much to it that it beggars a single listen. When an album is two hours long and you have five kids, the attempt to review becomes part of the daily life of my house, integrated if you like. Moreso, it being dark, ambient and dystopian, and music being the food of love, what am I to survive on. That's a potential two hour gloom. However, I can take it because I am more of a pessimist than an optimist. However, what can I say when it's already been said by the artist. Well, it is a success. A fairly monumental achievement, though unless it becomes background music, will have to integrate itself into my everyday movements which are many and varied. I quite like Sidewinder, but then I'm a snake with a forked tongue. A lot of the noise combinations lend themselves well to my liking of industrial music generally, which may be an added feather to the proverbial cap. Like the artist says the changes are very minimalistic and subtle, but when they happen they are sweet manna from the heavens. Nice work and fair play to all involved. As far as it being called music, I think stands for itself, firstly for being here and secondly for the conception. Let alone construction etc. I try to appreciate the work that goes into a work, not just the work itself. My way round it, is to think of big rhythmic structures, filled with slow motion melodies and mournful refrains. For me, it then makes more sense as music.

It's hard to find the right words for this music,because it isn't realy music. But it could be nice to use it in other music-productions! ...or movies. The soundscape is cool and clear. Some sounds remember me of old "Pink Floyd" productions in the early 70's. Strange & Special! The Abogix (J.K.)