Listen to it in the dark and let your imagination carry you away!

To listen properly to these tracks you really need the time and space and lack of disturbance, to experience these monologues of musical introspection. After the very abstract, almost desolate at times, first four tracks, Bilena sneaks up like a dinner party when you've had too much narcotic for your aperitif. Then comes big, bad Drong to assail your acoustical senses, it's dark, it's deep, it's postmodern devolvement at it's best. Then it's back to the party and this time everyone's a little more relaxed, chilled by the profound resonances you drift into some obscure angles of sound, into flashes of an amoebic orchestrastration, interspersed with moments of dark panic. Followed by the wild hallucinations of the eighth track, full of the knowledge that larger wheels are turning now, one's beyond your control, is this what it comes down to? Awl that can be said is that this is, especially for being the first, thoroughly recommended to those who have the time and open minds to what we have in front of us and what those who are in control are willing to force feed us with. I like this album, it was a nice little foray into the journey. Thanks:-)

These musics evoke to me a submarine universe, very deep, with flat echoes, and a sort of sonar menace. I must don't move to hear that good stuff, and it's relaxing for me, it prevent me to think. However, i am a little afraid of ocean in life. I love a lot Caragon, with his violin notes. Pataum contains some odd screams of a strange baby :-) Bilena talked to me, but i still wonder... 'Awl i can say' is a good way to leave the abyss, nice! Thank you for this moment of meditation! Melki

Il primo brano ti porta in un altra dimensione. Il mondo per come lo conosci non esiste più. Senti lo scorrere del suono, altri suoni, dei lamenti.... potresti perderti nella paura ma il secondo brano "Caragon" ti induce molta tranquillità. Ti insegna il distacco. Le note del violino sono come un angelo, ti danno fiducia. Il brano "BiLena" è paranoico e molto ben fatto(direi un capolavoro). Il resto vi consiglio di viverlo in prima persona. The first song takes you into another dimension. The world as you know it no longer exists. Feel the passage of sound, other sounds, complaints .... You might miss in fear but the second track "Caragon" induces you very quiet. Now learning detachment. The notes of the violin are like an angel, give you confidence. The song "BiLena" is paranoid and done very well(Excellent). The rest you should live it in the first person.

Ambiance psychédéliquement progressive ! Musique ayant une étrange atmosphère,semblant venir du plus profond des ténèbres abyssales,là où personnes ne peux accéder sans perdre son équlibre psychologique ! Peut paraître à la fois dérangeante et pourtant prenante ! Oui,ce style à quelque chose hors du commun,n'appartenant pas à l'espèce humaine ! _-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_- Environment psychédéliquement progressive! Music having a strange atmosphere, pretense to come from deepest from abyssal darkness, where people cannot reach without losing its équlibre psychological! Can appear at the same time disturbing and yet fascinating! Yes, this style with something out of commun run, not belonging to the mankind!

Hmmm... It's definitely an interesting effort, but somehow it doesn't appeal to me. I liked the following tracks: 1 Danik; 2 Caragon & 8 Fratatag. The others were: a) too experimental (5 BiLena - I hated backward recitations mixed with a classical melody here) b) too ambient and calm (6 Drong - not much is happening throughout the track - IMHO the artist failed to create the mood and atmosphere - the result is boring) c) uncreative (7 Adaschu - a Schubert's cover without any interesting idea for changing the master's work). Ambient seems to be an easy genre, but in my opinion it's one of the most difficult, because there is only a thin line between meditation and sleep. It requires a great talent to be able to measure silence, repetitions and long static passages in such way that the listeners fall into a state of ecstasy and not into a coma. KraftiM chose the right ingredients on three tracks, so he is definitely an artist to be watched. Of course, if one is a dedicated fan of ambient in any form, he may love the whole album. It is a professional recording, not an amateurish demo.

Define the experience of this album: More feeling than sound. More breath than heart. A sound sculpture, cold and infinitely dripping in the eons it takes to melt marble on an ice cold planet, deliberate, malevolent, reaching zenith at every turn. It is more hurt than healing; but this kind of hurt you need, to know that you are alive. If you are alive, after listening to this creation. This water color of the darkest center of the densest sonance, the loneliest resonance, the deadliest dissonance, a pitch, a note, a peal, the sound of a babies laughter floating in the dregs space. A cacophony of spacial sound, from the far-flung congregational multitudes of galaxies, whirling, singing, calling in the darkest dark and the brightest light. Laughter, at least there was laughter, before we all were flung away. A piano. An island before we drown. And then we rise, a dynamo, a celestial power, a shattered star. The angels played their gentle violins and sang their welcoming song in voices that sound like a muffled gong and groan like the behemoth dying on the sand. We are reborn in a field of exigency and fear comes on us like a multitude of murderous wasps and we are nothing more than an iota in a population of sound. And in the end - a long drawn out moan, a solo groan - an end.

Quite dark, avant-garde vibes here. It would be good soundtrack music for a sci-fi movie.

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