The structure of the tracks seems to be experimental, according of what has been proclaimed by the artist: learning using cubase. I caught this characteristic by the usage of particular effects in a de-structured way. The structure seem to be mainly loopy like in the track PIN Errato - Tentativi Rimasti 2. The track "L'arrivo delle Anatre Spaziali" sounded funny just by reading the title, and listening to it gave me strange emotions, the sound of the synth seems to be flowing out of a motherboard speaker :D, and the tribal percussions gave a strange african feel. Many funny tracks gave me some good laughs, as well as the titles. "Agent Banks" is a nice track, with regard of the DSPs applied to the melody and armony and has interesting timbrical and structural developments. The quality/equalization of the mastering seem to be good. This album seem to be an interesting artwork for an entry-level musician, and hearing the other albums I can hear very great improvements in the quality of Arthur Cravan. I appreciate the permission to use the material to build derived works: that makes this collection of tracks useful for other artist that may "complete" what seems "uncomplete". The track "La Rasatura a Fondo e' una Utopia" is more aggressive than the others with a style somewhere between drill'n'bass and breakcore. sorry for the bad english, Francesco Stablum

glagla

"tamto tenpo" "mio dolce pier" and "panino insieme".........is a little,melancholy,beatiful rain. ciao

Esercizi di stile. Eserciti che con stile marciano all'inesorabile passo ora di un breakcore jungle imbizzarrito esploso dopo un bacio in bocca tra Apparat e Pan Sonic (La rasatura a fondo è un'utopia) ora di una buffa elettro-vaudeville che pare desunta campionando i videogiochi della Coleco (L'esercito delle anatre), passando per l'idm asciutta e malinconica di Tanto tempo o dal via di un'elettrosideralità danzereccia di Altrove o Agente Banks e per un paio di episodi più anonimi e annacquati. Il tutto innaffiato da una fanciullesca demenza alla Erik Ursich e da uno sprezzo del ridicolo che è tipico del genio. Per essere mero apprendistato, il ragazzo la sa già assai lunga, resistente e morbida, come confermato anche dalla impeccabile pulizia del suono (valenza, questa, da non dare per scontata negli album di esordio). Una standing ovation, infine, per la sussiegosa scocomeratezza dei titoli, grande valore aggiunto di ogni suo album. Tra i preferiti, subito.

OK so it's no more conceptual as an album than the fact you were experimenting with equipment and instruments (and software) but there are some wonderful noise and rhythm combinations dotted through this collection. I admire your work anyway so thanks for the snippets, if that's all you want to call them!-) However, I think your presentation of them is maybe a description of what you wanted to achieve, on a more comprehensive level, so there's your concept ... the blossoming of your musical expression?