Samples de chant choral, percussions afro-cubaines, sons électro-acoustique, segments de mélodie, micro-extraits de discours... considérés comme des matériaux percussifs à part entière, assemblés selon des schémas rythmiques complexe construisent des mélodies souvent apparentées au jazz-rock, parfois accompagnées de solos de saxophone à l'écriture musicale très graphique, dans la lignée expérimentales du fameux 'My life in the bush of ghosts'. L'album donne donc une part prépondérante aux rythmes, mais se bâtit également autour de la notion de fragment en tant qu'élément évocateur, privilégiant les rencontres de timbres inattendues, voire inopportunes, afin de provoquer une sorte d'électrochoc acoustique continu, perturbant les repères, proche par la démarche des métissages culturels de Talvin Singh ou d'Holger Czukay.

Hello. Interesting album, but will have to listen more, so as to give an definite opinion. Lot's of work I beleive, and quite nice I agree. Well will get back after having checked this out a few more times. All the best, Piuske

The first track is masterfully constructed, a scrapbook of beautiful objects of memory and mine is scattered so sometimes, just fall into it and let it flow over you. That sense is present in the second track, but in a totally different form, an underlying consistency seems to be present already. If so, that's pretty strong. Again a finely countenanced presentation of fusion and expertly manipulated instrumentation. Track three is a fanfare for the joys life can bring about, it's music to be enjoyed, with a very positive energy, even though that eventually dissipates in real life doesn't seem totally relevant here. But I'll keep listening. Speechless... Kind of reminiscent of US3 and Blue Note. Good times making up for the bad ones. That can only be commended. A fanfare indeed. Now The Eagle Has Descended speaks to me in a different tongue, so where does this musical construction get dissected by the voices in my head and hands, calling my name. Potentially provocative politically, but I won't say anything, though it's so difficult not to. It's all perspectival and some of us live under the cloak of democracy so I'm, for a change not taking up my 'freedom of speech', and that is partly why I am reviewing this album. It spoke to me. Nilestones versus terrorism. See I'm off again now!-) Again, that lovely Blue Note air of music for the sake of enjoying it for its vibrancy. Fine river of sound and elegance of movement, with a sense of ancient tribalism before the pyramids even maybe. The tapping into the world soul is paramount to survival, this track touches on that for me. I started to wonder at the beginning about the spirit of this album, at first I worried that they 'joie de vivre' that is evident, would break down into superficiality. But there is soul to these sounds, a picture speaks a thousand words, so should an album of music, however that should be presented (and shared). Blues for Chucky is exactly about the dissassociation of conscience that some people seem to enable to delude themselves with to assuage their own responsibilities and accountablities for their acts in their lifes. What can a single man do to move such a potentially tactile, ephemeral essence of power that directs the many unecessary deaths and suffering that are going on even as I listen to this. If it's make me a madman to care enough to at least say, if not actively do, something towards the ends of peace and harmony, then that's what I am. Tell me and I will remain forever speechless. A real heavy weight track is the Sumo Glide, very serious and confident in its minimalism. A sound traditionalism in sound form. The essence of life, chi. It's in the music and maybe in you too. Find it and use it for goodness it truly is. Nice track. Munton's Revenge livens things back up. Fantastic instrumentality and wonderfully blended, a Zappaesque feel to the amazing guitar work. An icon of an icon. Fantastic. It may be a dish best served cold, but this track warms you up nicely.

Panowie (Panie?) z Polarity/1 pogrzebali trochę w starych winylach. Pewnie spadek po dziadku. Własciwie chyba nie warto się rozpisywać. Tag + okładka w zestawie sporo wyjaśniają.

Hi....i;v listened this album....trying to absorbe climatiere;;;;many very original sounds,however to minimalistic...i admire this event for originality,it;s very good to hear this at work couse....sound come in and let u easily get to practise and by the time make u much fun of music.Very original and full of jazz experiences.

Yes this is an ingenious but very creative sound construction. That's what I like here on Jamendo find new sounds and ideas. I must also say that we must listen to the album more times to hear the small retailers what makes the ATOU on this production. But I also have a small criticism for the final mastering; I found that the production lost a little bit of originality and transparency between the different instruments. Especially in mid bass and high range, it’s to flat (for my taste). So all in all a good production and is absolutely recommended. Cheers C.J.ROGERS

A minimalistic ambiance in the science of beat. I like this album because it reminds me of Beck, though it sounds nothing lie Beck. It is like the artist took techno, jazz, drum and base and many other sounds, loaded them onto a rocket and shot them to the moon. Very nice.