Un toucher, où alterne avec justesse douceur et fermeté, qui m'évoque plus Paul Bley que Brad Mehldau par une émotion distanciée et une sorte de réverie élégante et raffinée très épurée. Etude n°3: assez sombre et traversées de frémissements exacerbés. Etude n°4: Contemplative et très subtilement teintée de mélancolie.

Two excellent piano improvisations. Etude No 3, full of momentum with notes flying by fast and an almost free jazz feel. Etude No 4 in contrast, slowed down and full of beautiful melodies and a more meditative mood. Very nice !!

Etude No3 a virtuoso race over the keys, never losing the chord connecting us to the angelic realms or the underground streams, the lifesource, that's how deep this piece feels! We are dancing with ourselves in a greater dance, awake with moments of high gloss light that are the piano's notes themselves. Each note felt, heart to hand, and especially I felt this feeling in Etude No4, a denser, slower, slightly more sombre piece that nevertheless is also full of that deep golden glossy light that emanates from the keys striking the strings in the rushing, syncopated harmonies of your musical improvizations.