For one who's been into this genre less than a year this is a helluva good work. Nice and mostly peaceful and quiet ambient compositions with good sound and good usage of FX and other tricks. My favorite track was 'Last Scent'. All the tracks are well produced, only in 'Daarn' the rhythmic line I think was pointless - it suddenly popped up and suddenly cut out without seeming to serve any useful purpose. Also 'Frozen Hands' sounded somewhat strange, I think tuning of the piano and the guitar wasn't compatible and the rhythmic line was cool but not suitable.

Un bon album ambient Mes préférés:daarn,lastscent,frozen hands. Bonne continuation Merci

Suitable pace for one of the class Gastropoda, in Abalone, the first track of this atmospheric album. Daarn is widely spaced, the percussion just hanging in to make a small reference to structure. However, for the most part the track is loosely defined in terms of presence, which actually suffices. It almost presents itself as moments of reverie, interspersed with a rallying of consciousness. An endless cycle of transcendence and earthing maybe. Either way, a nice listen. Focal Point crackles into the range of hearing, immediately present and accounted for, with such an accumulation the formula makes more a good track. Plenty of interest, again with that quality of elevation. I love the start to Fallen Friend. The overall ensuing composition is again other worldly. A nice opportunity almost to see things from an alternative perspective. Have I known them, or am I one myself? Either way, another interesting track. Her Dream, I dare not know of. Doubtless it would bear no resemblance to mine own. Such is life! Here we hear the addition of voice samples, inclined to set the scene, but regardless, well-supported by the quite elegant form of backdrop to the dream. There is a hint of the soft machine at the outset of Organik Wheel. In fact, there are some lovely sound and rhythm combinations. A very nice piece. There is a lovely flow produced in Last Scent. The pace makes it quite a melancholy track, almost as if it is about a fond farewell. We are in essence all animals, so to hang onto such an apparently meagre last vestige of the presence of someone dear, is perfectly acceptable. The track manages to express this so well. Impressive, again. Phobos II travels through its elliptical path, with a peaceful velocity. Pace with grace. Again, strong on atmospherics, encouraging calmness, despite the closeness of the god of war. Having said that, there is a delicate allusion to such potential drama that the subject might incur. Memories of Canada, is something I don't possess, just memories of representations. The track is more overt, and stronger in its rhythmical structure. The melodiousness retains the ambient sway, that ultimately predominates, giving a general impression. It sounds like good memories and remains positive throughout. Crometon I establishes a different environment of experience for the listener. Within a minute the percussion is in place and playing its part admirably, fitting in nicely enough to draw the abstractions together into a palatable form. Having done so, it relaxes back into its original form, which now seems more meaningful. Then it reiterates and draws to a close. Stark piano notes resound and echo for the start of Frozen Hands. Like icicles, the notes are suitably, though not overly, harsh. Enough to bring to mind the experience that our extremities may be prone to suffer. That suggests inclemency, but the track has an overall optimistic feel, for the most part of the first section. Then, there is a confirmation that 'frozen' plays a part in this creative expression. Hands undoubtedly, guided by a warmer talent. Finally, the title track, which has a lot to live up to, considering what has gone on before it. Apparently a little unsure to start, it settles down into the generality of this album, though carefully making its own stamp evident as the track progresses. Sometimes distance is a good locality. Nice album.

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