dommage, il y a dans trop de morceaux une overdose de percussions qui tournent en boucle tel un copier coller...Quel que soit le matériel utilisé, Reason, Ejay, fruity loops, Krystal, etc...et la taille du résultat final, on a envie de rester sur le morceau, des choses prometteuses démarrent...Et on en reste là, arrgh, c'est l'écran bleu qui donne une envie féroce de ctrl alt suppr.... Le rythme et la percu ne suffisent pas , et du coup, 5 à 7 minutes le track, ça donne envie d'arriver à la gare suivante du train rythmique. j'ai bien aimé pour ma part le morceau " compact ", qui lui a du beat mais aussi du coeur. Il serait génial de tout avoir dans cette veine, histoire que ça attrape les tripes et qu'on dise " ouais, là on le tient bien ". A confirmer??

The Intro is like preparing for a major operation, anything could happen from here! Beatmaster is master of itself well enough, I like the structuring and little embellishments. Radically minimalist and seemingly proud enough to take the poise. Influence begins with an ambient flowing of synth sounds to start. Then it begins to build up. Though it doesn't ever really get to a pinnacle, but goes around it instead. I quite like Compact, it's tighter and more focused. More melodic and rhythmic charm. The outro is pretty full-on, nice touch. Deep Shit, I revel in such a good, sound electronic track, quite dark but very appealing. Reminiscent of such lords of techno as Shades of Rhythm and others of that long gone era. Elektroshock backs me up I think, but there's a nice sense of chaos herein. Paranoïa captured a certain essence of such a state of mind, strange mood music. Unvisible made me think of Njoi straight away, one of my old faves. Chiptune made me think of making music on an Amiga 500 and playing Elite until I won, all night it took me. Only time I've 'gamed'. Hate video games nowadays. Systembug, that age old adage of the helpdesk operative, it's always a bug. I know because I've spent time on both sides of that particular technically flawed fence. It means, 'we don't know'. I even worked with an OpSys that had confirmed 'blackholes', I got excited about parallel universes but the boss didn't see the funny side. Only worked there for a year... When I was last at university, I had to explain to the Head of Communications and Internet Management what a 'virtual space' was. That was a degree worth getting obviously. The track is performed eminently well, and I believe there is a certain degree of being somewhat 'retro' in some senses. It was good enough for me then, and always will be. Thanks. Enjoyed that one.

J'attends encore la "mélodie tueuse" qui va me transporter...c'est résolument ambiant, bon, mon morceau préféré reste VIRTUAL, les sons sont glauques et la trame menacante est relativement intéressante! J'ai un pote qui est capable de créer des tubes en une soirée avec ce logiciel, chacun son style il est vrai, mais vu que tu bosses sur reason je m'attendais à du "grand spectacle" Sur ce bonne continuation, cela reste écoutable!

Tu navigues entre techno, electro-tech, ambient, avec ta maniere de voir le son, j'aime vraiment (il est tard je referai peut-etre une critique plus complete plus tard) Beatmaster me fait un peu penser a du Tanaka, et c'est un compliment ;)