playlist artwork#12 this weekCrackin´ Rubato

by Crackin´ Rubato

Tracks

1 3:55 11114 listens
2 3:24 8031 listens
3 3:49 5093 listens
4 2:32 3691 listens
5 2:35 3091 listens
6 2:06 2436 listens
7 4:08 2359 listens
8 1:48 2046 listens
9 2:53 1829 listens
10 2:16 1387 listens
11 4:29 1015 listens
12 6:01 1273 listens

About this album

  • Updated: 21/01/2011

CRACKIN´ RUBATO SOMOS:

ROTY340: Producción, edición, percusiones y teclados.

JULIO MÉNDEZ: Saxofón Tenor y guitarra.

DIEGO PÉREZ CALVO (Mr. Groovito): Bajo eléctrico y guitarra.

Este álbum es un proyecto de experimentación empírica y onírica con fines autodestructivos. Si consigue disfrutar de ello.. es que está tan mal como nosotros... por favor: BUSQUE AYUDA!

This album is a project of empirical experimentation and self-destructive purposes dream. If you get to enjoy it .. is that as bad as us ... please: GET HELP!

Cet album est un projet d'expérimentation empirique et auto-destructeur rêve fins. Si vous arrivez à en profiter .. est que aussi mauvais que nous ... s'il vous plaît: OBTENIR DE L'AIDE!

Dieses Album ist ein Projekt von empirischen Experimenten und selbstzerstörerischen Zwecke Traum. Falls Sie es zu genießen .. ist, dass so schlecht, wie uns ... Bitte: Hilfe!

Questo album è un progetto di sperimentazione empirica e auto-distruttivo sogno scopi. Se si arriva a godere .. è che così male come noi ... per favore: fatti aiutare!

Este álbum é um projeto de experimentação empírica e auto-destrutiva sonho propósitos. Se você aproveitá-la .. é que tão maus como nós ... por favor: me ajude!

The tracks of this album are published under a Creative Commons licence, check the licence associated to each track.

Reviews for "Crackin´ Rubato"

24 reviews


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Carybe

Yes, I'm a crazy guy... still, nothing I didn't knew already.

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Carybe • 2011-01-28 12:29:39

But you know what?... the best thing about being crazy, is that nobody pays you that much attention, no matter what you say or do, however... yes, there's a bad thing... and that is, nobody pays you that much attention, no matter what you say or do. About this album... it's not that I went nuts about it, since I already was, but it so happens I'm a fool for good funky jazz beats and the ones in here with it's fantastic sonority, rhythm variety and sound diversity are a complete mad house.... where I fit, perfectly. And I'm not even going to try to empathize none of the instruments, because they all are very distinctive, and fit together all along, as one excellent musical work. About getting help?... you may say I need, but don't want it because I remember being a regular "normal" kind of person and I am way better now... being crazy. And despite nobody is going to pay this review that much attention, it would be just simple craziness not to post it. And since posting it, is even a bigger madness... well, I feel it's the right attitude.
U.L.I.

Good album

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U.L.I. • 2011-03-19 16:36:11

This is an interesting mix of different modern jazzstyles . Many varied rhythmns , harmonies, melodies & a virtuosic played sax make listening very enjoyable. Your mix also sounds clear and decent to me . Great job! U . L . I .
musictomyears

Audio Sensations..& Sweet Stimulations Of Mind & Body As Well.

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musictomyears • 2011-01-26 00:24:29

Soft, seductive and sensual,xoul filled dreamy music. That is captivating, stimulating and gently and provocative and sublimely done, to perfection. On this exquisite, articulate, funky,cool.Let alone upbeat and soul filled jazzy,experimental, saxophone solos played to perfection. On this glorious of a brilliant new day and remarkable outstanding album in general, that it is. That is calming, chilling and downtempo on top.And makes you meditate and unwind. Bathe your ears inside a silky- satin delight filled auras and atmospheres to tease, please and pleasure you to the max. On this crisp and bewitching, groovy,bass guitar, electric guitar and drumnbass,instrumental, soundscapes of a audio,mind,body and soul of a incredible beautiful album that this is to simply savour and lap up inside off.
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