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The arramgements you've made are quite interesting. They do depart from "original" reggae and, in my opinion, the album will benefit a lot if you introduce a contrast by getting a reggae singer to participate actively. You may drop most of the sampled vocals then, as its quite apparent they are just samples and lack the "organic". I think it will be very interesting if you join traditional reggae singing with these arrangements.
Would this be Pablo Perez the pop art musician from Mexico City? It sounds like him. I wish there were more tracks though.
Strange Space indeed, so ambient, quiet, gentle and peaceful. This lovely music is created to relax and comfort. Very nice. Like the sweet dissipated incense of a mountain valley where the crystal spring flows and the sun warms in a cool distant way, and you're in touch with the gentle, throbbing, life around you, that's where you hear this music. Ah, yes, I knew there would be bird song. "Strange Space" is very nice indeed. Warning: You will feel very relaxed if you listen!
As I listen to "Klatwa Sahary (Sahara curse) I am just astonished at this musical tapestry of incredibly rich deep colors, hues, shadows, dimension. So much was put into this song, so much expression, magic and mystery. An epic tale told with electricity.
"Monument" is a colossus with powerful music and with singers' strong voices, and a Gothic bent, Gregorian chants, the far east . . . many mixes of styles in this song, which carries the listener on a long, exciting ride. Dieter Werner uses his skillful talent to blend his style mixes so well and seamlessly that listening was like watching a profound adventure movie, taking us here and there around the world. I had to hold tight on this wild ride. I particularly enjoyed track #4 with its solemn big drums and Gregorian chanting. "Hermit" had a sweet nature to it with a lovely female voice singing harmoniously with the melody. And then there was "Tato (Daddy) with that mesmerizing male voice speaking, and those astonishing musical instruments, the strings, the drums, and all that electronic stimulation, the child growing up and then off to the Orient again! - I am at a loss for words. It was all so wonderful.
I also want to mention the quality of the recordings as being exceptionally high and realistic. You've got to listen to this album with headphones so as not to miss any delicious nuance, or any of the magic. These songs were long so there is plenty to enjoy. This artist knows how to play to the ear and thus strum the strings of the heart. I felt as if I were in a sort of spellbound state for over an hour. STUNNING! Dramatic! Beautiful…What a trip! Well, I'm off to bed with this album and another listen - love this magic.
Sensuous vocals and amazingly professional arrangements and instrumentation. Talk about your feel good music, this tops it! Please entice us with more of this delicious music. I'm definitely in love!
~ Susan
Simple and effective melodies. Your sound is original and amazing, energetic and energizing. I found the constantly blasting wind instruments unsettling at first, but that's what keeps me coming back to listen to this album all the time. It must be so fun to party with you folks! Cheers!
Absolutely love this music! Smooth, lyrical! The harmony's are amazing! The vocals are seamless, passionate and warm. The instrumentation and arranging is perfect, highlights the songs perfectly.
Itś quiet but has cool instruments and speaks up sometimes when you least expect. There are also cool and spacey sounds. Like the rhythms.
I really loved "Old Nora" a beautiful tune with a sad, sweet flute and a gorgeous harp. It had a very strong Celtic tone and almost ballad like as if a song should be sung, telling us the story of Old Nora. But then the flute was almost voice like, maybe fairy like, especially when those high notes were reached. "The Bonny Swans" was sung with a lovely female voice and a lilting melody. This is a very nice little album. I enjoyed it, so thanks for sharing.
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