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sam ne vem več na kermu soundtraku... kul, bi ratau dobr ben lahk iz tega, če bi se odločil igrat en stil muske
je blo kul, k je domače, mam pa tak fetiš, da vsak album na jam k ga poslušam recenziram, kao, upam da ni moteče, tole je pa kul muska
(bl samo misel) če so kdaj v živo igral pri predstavi, k Psycho-path...
Bi blo kul vidt v živo predstavo s to musko...
Res se ne ve, al so zvoki proizvedeni v programu, al je to vse res v studiu odšpilan, s pravimi inštrumenti in glasbeniki, bl zadnje...
...in lepo da ga vidmo na Jamendu. Kul elektronika! čekte Spock studio tud, No Rudi je zgodba zase...
To je problem, k niso ne ful komercialni, pa ne čist underground, so pa dost meinstrimovski, problem s takimi bendi, k utonijo kmal v pozabo, k Alfa Romeo in Julija...
The experimental harmony in this piece is not as daunting as the composer seems to fear it will be for his listeners: the use of dissonance is not in any way overdone. The trills in the third movement, an effective motif, remind me of piano music by Stravinsky (or is it Bartok? I can't remember precisely). In any case, it is another quality work; I wonder when the composer will try writing a symphony, to showcase his talents in a way I'm sure he'd do most capably.
I really enjoyed this album. It is very easy to listen to and repays frequent listening as each time I listen I hear something new.
Robbe has a lovely touch on the keys of the piano.
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