An odd mix of samples and original songwriting, this is a sublime album which certainly deserves the attention of many an interested Jamendo user. There are obvious influences from gypsy rock, as well as a very laid back feel that sometimes seems to descend into quiet, easy electronica with guitars. It's very individual and a breath of fresh air from a whose music I'm very unfamiliar with.
My personal favourites are the final two, Nos Tempos do Dr. Roberto, where the band seem to drop back into a country and western style which rolls and increases in speed beautifully. Then there comes the final track, the wonderful Laura em Chamas, which is pretty, haunting and delightful. It sounds like a real classic from them.
Irreversiveis sounds like Gogol Bordello, with a touch of Razorlight and Kings of Leon for good measure. There is certainly an affinity with any rock group who have ever used samples, which they do to extremely good effect on lots of the tracks on H.G. Wells. They also seem to take some influences from classical Iberian guitar music, which blends with their individual sound rather delightfully.
Live, this group would sound incredible. It would be a wonderful show which might well change lives, and certainly involve the entire audience with a nice stage show. I'm unlikely to ever see them play live, but it sounds like anyone who would get the opportunity would have a great time.
The album is also just the right length, neither too long nor too short as many of the demos that appear on Jamendo are. The cover is amusing and intriguing, but I can't say it reflects their style perfectly. I'm not sure that's why it only gets 9 out of 10, but it goes some way towards the explanation. All-in-all, well worth listening to for the casual explorer of the Jamendo universe!
It's really not common to find such a varied album, even on Jamendo. I don't think I've ever heard such a collection of styles and genres on one small album! Almost everything is a long way out of my experience, but not comfort zone, and has introduced me to quite a few new styles which I'll be able to explore further from here. There is a real flow through the entire set of tracks which accentuates The TenGooz's bizarre and amazing style.
My personal favourite two tracks are probably Mary-Mack and Mio Mine, which are extremely funky, fun and catchy - I find myself singing them constantly! Having said that, the opening The Chills is also rather haunting and slick - It sounds like a spaced-out 'Back in '72' era Bob Seger. The rest of the album is difficult to place alongside another artist, as the styles are not ones I am really familiar with. Perhaps a more upbeat and happier Space.
The cover is also rather eyecatching and amusing, and seems to encapture the entire style of The TenGooz, both in its drole design and flowing, spacey colours.
According to The TenGooz's personal description of this album, this is intended to mimic the sound of the band live. If that's the case, then it'd be very good - I can certainly see these guys playing small jazz venues or open air festivals quite happily!
All in all, it's a remarkable album, but almost too varied to pin it down to the supreme refinement of an excellent style.