a-lin

Solid is the word that comes to me, simple and minimalist are the second and third. It could be more varied but it works. Keep up. Thanks for sharing.

I've listened to that song in loop for the past hour and so while working. It sets the perfect mood for it, pulls you in a higher and positive state of consciousness.

Thanks for sharing.

I definitely like the style, I have some critics though.

It start really well and builds up nicely but

1) the arpeggio that comes at 1:52 is too repetitive, it breaks a bit the flow,

2) the arpeggio goes to minor chord (the last longer measure), and I really was anticipating a major one, got a bit disappointed, perhaps neither a minor or major one would have been best to let the listener decides,

3) the additional brief rhythmic click-clack sounds starting at 2:08 is too shuffled in my opinion.

Otherwise as I said I do like it and listened to it several times.

Nil

Hi,

I really like your style, the music is flowing well, it feels good.

Now for the critic, sometimes the melodies don't feel right. For instance in Floating Away the melodies, especially at the end, got really carried away (I guess the title isn't completely irrelevant!). In music theory we'd call that linear counterpoint, that is the melodies are moving linearly almost independently from each other hoping that the result will turn out OK.

I bet you haven't studied this incredible book yet

http://www.amazon.com/Study-Counterpoint-Johann-Joseph-Parnassum/dp/0393002772/

See it as a guidance, an open-minder, but always follow your emotion and intuition (even Bach, a fanatic of that theory, would default it once in a while).

Good continuation.

I'd swear that this album has been done using a soundtracker software (like Renoise or OpenMPT).

If you're curious look into Fux's counterpoint theory, it may help (especially the third song).