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The inimitable style of Uberlulu warps a renowned classic with a dark, etheric flavour. Followed by the version hérétique, which has a curious, almost begrudging reluctance to it.
Gentle enough to lull the senses, like an ice-cold mist.
Plumbs the crevasses between modes of reality and unreality. As a result, has a naturalistic dark emancipation. However, subterranean as it may seem, this track also has the ability to appear to the ear/mind duality as quite ethereal. This opens the multiplicity of dimensional direction. Deeper as such, becomes relative, as well as figurative.
The perspectives are easy to form perhaps, which in a way proves the inescapable subjectivity of any attempt to foster realism with any sense of modernity. As it stands, very well orchestrated and controlled audio sculpture. The omnipresent is represented by the drone of everyday life, perhaps. The subconsciousness of surrealism arises in the personalised receptivity of the individual listener. As a field-recording it lends the album a flavour of scientific pragmatism, which naturally assumes a sense of progress. So, to a certain degree, if not literally, nothing we haven't heard before.
Gorgeous dark circumjacence, nominally lost but with an undercurrent of purposefulness. All figurative abysses being somewhat subjective. Excellent drone exploration of the sound of the void. The reality could be for eternity! "Life is short, the Art is long, opportunity is fleeting, experiment deceptive, and judgement difficult." (Hippocrates)
Some very nicely constructed electrickery. Fine listening and comfortable in a way. Certainly fitted in well for me and my wealth of variables. Even better on subsequent hearings, definitely grows on you.
Some very enjoyable experimental ramblings that produce some excellent atmospherics.
Has the atmospheric qualities of a small circuit. Throw in minimalism to the ambience and it seems to add up better for me. Again, nice enough and I thought I may as well grab a listen while I was in the area. Might be good to hear a bigger selection of tracks with hopefully a wider range, and let's hear those experiments stretching the imagination!-)
My initial frame of mind, taking the visuals in first, is of a time before surface-mounted components, when I could repair a computer with some ingenuity rather than just sticking a completely new module into the machine. That brings me to the second reference to the ghost in the machine, Koestler aside, there is some truth having spent many years in the business, of the mysterious and unexplainable in IT. This track does as much to account for such quark, strangeness and charm, as I could hope for. Overall, nice enough, although I feel the track could have stretched itself a bit more with good results.
