Administrador de los artistas : Triplexity
Sitio web : http://triplexity.blogspot.com/
Miembro desde : 26 de noviembre de 2007
Très bel album... une très belle voix, des arrangements bien pensés, de bons instrumentistes... Le tout est assez orienté trip-hop, y'a un petit coté expérimental et la qualité musicale et sonore est au rendez-vous, vraiment agréable !
Obrigado !
With this single Pedro demonstrates his another skill - producing of fantastic Electro-Organic fusion on a very decent level. I like this sense of vast deep spaces gained by clever use of reverb. The music as usual carries enormous positive charge.
The only thing I would've made differently perhaps is bringing the sax a bit closer in certain parts. It has very ambiental sound, playing somewhere in the background, which is nice most of the time, but sometimes it gets lost.
I think that if preceding Revolution Void albums where mostly Trip-Hop influenced, in this album one can feel impact of Chemical Beats along another influences and the drums work was dramatically improved, it's really elaborated and dynamic.
In this album you get excellent sound quality and variety of different styles that sometimes remind you Herbie Hancock, Bugge Wesseltoft and of course you can't miss the style of Jonah Dempcy.
My most preferable tracks here are 4 and 8.
You can try YouTube with this kind of crap, but Jamendo is a wrong place for doing that. Here people share COMPLETE tracks, not excerpts.
This album demonstrates totally excellent play and excellent technique by professional musicians, but the repertoire is too routine...It's been heard countless times before and it sounds just like any other Jazz band (of a good level though).
Very lovely, impeccable, professionally executed soundtrack, reminding a bit Joe Hisaishi's works.
The sounds of this track always remind me "Music for Jilted Generation" album, though it has nothing to do with Prodigy's style. Very unique piece with mellow yet alerting atmosphere.
The first track starts with the sounds of walking bass, it sounds very promising intro, I'm waiting for the composition to start but it doesn't happen, it just remains an intro all track long. However, it's nice, I like this jazzy atmosphere.
The second track is a long sax improvisation along D&B beats, it's nice but might get too weary towards the end.
Simple but good classic synth work that back in the eighties might be really affecting, but nowadays it's pretty hard to impress anyone with this stuff anymore.
It's good to meet artist that researches his own way instead of just following the herd, though the result is very questionable. This stuff is very singular so it's impossible to describe it in usual terms, you need to listen to this yourself. One thing is sure - this is not a pop album, recommended only for ears that can appreciate innovative and unconventional approach to music. The artist needs though to give more importance to sound quality.
My favorite items were 5 and 6.