Color Me Red nicely done with a traditional robotic voice sample, with whispers of the ghost in the machine. The one that twiddles the knobs and clicks the mouse, however. The spirit is here, seriously, without taking themselves too seriously it feels. The first track is quite buoyant. King of Comedy a lazier rhythm and pace, with rolls of synthetic noise and various diversifications from there-on-in. A decent electronic track.
I See Numbers (Eight) saunters psychotically around your head as a thoroughly enjoyable and strange noise effect. I'm quite impressed by the sensation and formed so thoughtfully well. The Proof has a lovely ring to it, almost like 'the truth will out'. Apparently, it's in the pudding, according to an old tale, or rather in this case the hearing (as opposed to eating). The track has a sibilant rattle that thumbtacks your ears to the speakers because you just want to immerse yourself in that sound. The vocals and variations all work brilliantly well.
Blind Ear Left is the kind of dilemma a computer controlled mechanoid would likely as not find itself. A computational conundrum to test the success of the group theory sophistry. A faster paced track, almost cyberpunk if you please. Good morning is usually the first thing we learn to say in a foreign language. Does that mean I'm more likely to meet a foreigner earlier in the day? Good Morning is actually just that, it sounds just like a good morning should, in the very least.
Altogether, not as dark as I sometimes like to go but very engaging music, but that's just my opinion. So there!-)
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