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[OILMAN]

par 朱利安美

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hiphop abstrait visual electroacoustique

7 pistes

14:20

1	familyman	2:45
2	[oilMAN]	2:17
3	blood theme	1:26
4	lude	1:26
5	fond-du-lac	2:01
6	[i_express]	3:14
7	outro	1:11

Description

..............................................................2009

Sounds and lyrics taken from "There will be blood" directed by Paul Thomas Anderson.

Drums, percussions, piano, woods, strings (excepted track 3), electroacoustic compositing

made by 朱利安美

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Critiques sur [OILMAN]

Ivan1984

Maybe it will change...

28/02/09

Curious, quite industrial feel to the first track. I like the pace and atmosphere just fine. (I haven't seen the film, though, I have to say). Nicely abstracted noise and rhythm for the second track, with a lovely reverberation or two. I love the way the technology is pushed to the maximum in a minimalist way to such profoundly great effect. And so pertinent it's own inimitable fashion. After the intense drama of track three, there is no wonder that 'lude' should come into the equation. Is fond-du-lac the last remnant, I wonder. The one that drove the hostilities and fashioned history so badly, and continues to do so, with a false idol of conscience to justify it. If I am right and anticipate a distinct message, I would be over the moon. This is for me a perfect example of the power of persuasion avant garde music can have. Still fighting.
Track six captures an essence of what I consider to be wrong with communication at the moment, there is too much data to collate, let alone act upon with wisdom. Too much, too fast. Proof that a virtual reality can be inculcated by acoustic instrumentation and still retain my hypothesis' durability. Magic stuff, great work. The last track is absolutely perfect and fits in with my assessment of it I believe. Viva la revolution!

alexded

Абстрактный

24/12/08

Честно говоря, не могу представить ситуацию, в которой эта музыка была бы уместной. Внимательно её слушать - скучно, просто слушать - она становится незаметной. У меня к ней сплошные знаки вопросов.