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In the last decade, Fen has laboured over three recordings.
The first, Surgical Transfusion of Molting Sensory Reflections (2000) identified Fen as “the only band of its kind on the coast [of British Columbia]” (The Nerve Magazine), perhaps due to its nauseating rhythms and cranial song forms.
A rare concept album followed, a story of incest and matricide set in an isolated estuary. This album, Heron Leg (2003), left listeners both wondering and disturbed, and has been called “one of those great CDs the listener can get into more and more deeply as buried details are unearthed” (Discorder Magazine).
The latest recording, Congenital Fixation (2006), is a Freudianesque phantasmagoric acid crash into the subconscious, drawing comparisons from Opeth to System of a Down.
At present, Fen is extracting itself into the acoustic medium, writing lullabies and ballads for a new album, out in 2009.
Reviews
“Fen evokes weird, slightly disturbing childhood memories…making me wonder about lyricist/vocalist Doug Harrison’s life...The creepiest lines are often the most delicate sounding.”
—Discorder Magazine
“the only band its kind on the coast. Fen’s raw aggression and peaceful acidic distortion makes this band stand above the rest in the prog-rock division.”
—The Nerve Magazine
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