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Like a soundtrack for a film about a SF serial killer. Hardcore filler for cyberspace. Great stuff!
Certainly some stamina required, with or without previous wear and tear. Some very nice noise manipulations, and some well-balanced, quite atmospheric perspectives. Sounds like a slowly diffusing destruction. All seems to work out for the best when under severe stress, and there is often a sense of underlying tension, a dynamic coil to the electronic motivation. A realistic outlook on a possible future, perhaps.
![A-Tek - In + Out [Urban Nightmares]](http://imgjam.com/albums/s42/42214/covers/1.100.jpg)
Hard-edged technology in motion. Ebbs and flows with sine waves. Trigonometrical tides. Really depends on how much you care for angles of flow. Assuming of course, a fractal fringe.
Evil is as much a movement, a perpetuation of intent, as a perpetual, haunting presence that can overlook the self and others. There is something here depersonalised about it, that I presume is the obvious technologic aspect. Like the mechanisation of malign impulse. Here it does not overwhelm, but seems more pervasive and maybe a touch attenuated.
An extremely nice foray into a universe of sound and rhythm. Minimalist, with the accent on perspective of possibilities perhaps. The exploration has a significant expansiveness, and though it stands up well to scrutiny, by relaxing the ear so much detail to depth becomes evident. Therefore, there necessarily exist subsequent peaks, and it works extremely well. The golden mean is solid foundation. Might not be spooky, but certainly has a strangeness and charm about it.
From the majestic, pre-industrialist, ecumenical sentimentality of Ostrów Tumski, to the bright new age glittering gold in the accumulating smog. A sparse scattering of effect over the steady pulsation of a precious standard, focusing the hunger. Hypnotic with its relentless draw, that compels bystanders to plunge in.
Not to be taken seriously, which actually affords some poetic licence. The Middle Ages were abundant in disturbing characteristics, lots of superstition to cope with and religious warfare. That is a more serious side, and still is. Religion and technological capability is now at the forefront. Anyway, devastating plagues aside, there is a need for some light-heartedness. I think this works very well, and a lot of thought appears to have been applied. So, there is a dynamic sense with an intellectual/theological perspective or two to take into consideration, should the listener wish to. Volsem has outlined the agenda perfectly well, which just leaves it for me to say that I found this very engaging. Look out for 2012!-)
Nice mixes, well constructed and they make for undemanding listening. Cover art is cool as well.
This track curiously triggered off a variety of memories for me. As a result, I really liked this one. Sometimes made me think of a young industrial effort, and dynamic enough to maintain a focus. Nice one!
God is attributed with many sayings, which ultimately come from the mouths of mankind. Few are true vehicles of omnipotent insight, regardless of their courage of conviction. Anyway, sidestepping theological argument, Vices In Virtue is a welcome addition to the array of productions, with thought-provoking lyrics, all draped with the consistent sound creativity from this artist.
Registrati !
