Raindrops

cela manque de blues pour mes oreilles mais c du bon
bravo!

The form in wich this composition was shaped, I'd say the carrier that's in charge of the communication of the original thematic ideas, does not afford me to taste its content.If the fact that the use of Jamendo as well YOUTube and MY Space be free has no effect on their users expectations to listen to the best instrument players hosted by them, then the letter and the spirit of the Creative Commons do not alter the fact that the live performance conveys all that matters to the public.In other words, if a musician aims to show his own bravoure in playing one or more instruments throught these media chances are that he gets some attention, but whatever amount of cleverness in the use of simultion software that same musician will exhibit
will hardly pays, for the same reason for which many store clerks,who are real computer "virtuosi"
do not expect an increase of the wage.The reason is plain: oboes, bassoons, saxophones, violins nd harps; pianos and guitars and flutes, the whole orchestra, are i n s t r u m e n t s, "pc" and their software optionals are household eletric parts.Does anybody really believes to attain recognition for the way he uses his washing-machine or his dishwasher?A musician who
asks my opinion and, eventually, my adherence to some kind of poetics that resides entirely on a HDD strikes me as one who invites me to admire the souplesse with which he changes VHSs and DVDs
on his video-recorder or LPs on his record-player.That is not art; that's everyday slippers stuff.This time our friend Adam has shown us his new toy.I bet that, if W.A.Mozart were a teen-ager,at this time, his vasser Leopold would have given him the same softwares our friend relys so much on for Christmas and, with time, he would have shared them with Nannerl.Hardly he would need them because, if W.A.Mozart were a teen-ger today, musical directors around Europe would hand him their batons.
Music is something for which it is worth to be noticed, that is done better in company and from scratch: all goals for which an instrument becomes absolutely necessary and will suffice.

J'avoue avoir aimé les quelques premières minutes et je me suis endormie peu après, dans le sens que j'ai bossé sur mon pc et que j'ai pas vraiment entendu la musique, ça m'a bercé...

Malgré le son d'un piano très mécanique, la poésie et la délicatesse de 'Raindrops' et de 'Raindrops reprise' font de ces deux compositions des instants très suggestifs qui déclenchent immanquablement la rêverie. Entre ces deux averses, et peut-être a cause d'une pluie trop abondante, 'The blue hill' se noie dans la boue. Bon début pourtant pour ce tableau champêtre au sein duquel l'arrivée de l'orgue vient semer le chaos. Pesant, dépourvu de profondeur, l'orage gronde avec conviction mais étouffe toute vision révélatrice. 'Mémories' réserve quelques bons moments très Ravelien, mais trop démonstratif (n'oublions pas que ce sont les non-dits qui donnent la puissance évocatrice), ne stimule pas réellement l'imaginaire. Heureusement, 'Rainbow', après des prémices laborieux, parvient vers 1:30 à renouer avec la magie des deux titres évoqués en préambule. Globalement, un bon album malgré tout, en raison de la pertinence de certaines orchestrations.

newbies, I am happy to hear all that good suff! thanks