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Reviews

1  2  3  4  5    »    [998]
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PlayPlay

Dark and haunting. I like the first two tracks very much. Fresh and original. The vocals are creative and beautiful. I like the music on the second two cuts but thought the vocals just weren't quite as good.

PlayPlay

i already knew you, you're MA047 and i'm MA048 with another project.. you know what i'm talking about

i think most people have already spent all possible good comments on this and i tell you what mates, they're right!

probably one of the best and equilibrated experimentation on blending old videogames sounds with pop

10/10

cheers

PlayPlay
19/11/08

i see lots of Hong Kong Syndikat, Matt Bianco, The Cure (japanes whisper era) and why not Japan and Alphaville... (they also wrote a song with the word japan... it's only a coincidence though and although we western dairy people confuse chinese with japanese very easily)

yes this is good retro stuff

the second track could have been absolutely huge 25 years ago, the piano is absolutely fantastic at half track, it enriches the whole song, and the key changes are heart touching

i don't give you 10 because you could have put some more stuff in this ep ;)




PlayPlay
19/11/08

typing distracts me, so ...i wanna be alone with can't stop the daggers for a time

good old psy

PlayPlay

the taste goes beyond every storyboard and this concept is based on what we dreamed of some time ago

quite long tracks but never boring and to make this happen you must have some kind of intelligence and...as i said above taste!

i would spend hours describing what effectively only listening you can have a better idea

good stuff indeed

PlayPlay

Smoothly done indeed, and appreciated both in its own right and as a tribute.

PlayPlay
19/11/08

a bit faster would be exactly my style

PlayPlay

A truly beautifully constructed track of music, with a nice concept that it fits eminently well.

PlayPlay

Thanks for the journey - it was beautiful!

PlayPlay
18/11/08

A sense of gathering together, as we were once drawn by the sun and moon, seems apparent in the first track. It's very positive, like a light at the end of a tunnel.

The second track has some lovely layers of synthetic expression in a very accessible structure, well-balanced and confident. Trip the light fantastic.

Act is just magnificent, I loved everything about it. Tone, structure, rhythm, even the use of no noise was tinkered with. (I won't bore you here, but ask if you are interested.) Anyway, I think this track is very artfully done and well achieved as a piece of music.

Still Changing, always change, all there is, change with guarantees of little worth too many times. Here, the changing feels more positive. Maybe that's a projection, maybe it's an intuition, who knows. We need to communicate in order to assimilate change. Music, and this track in particular, takes the listener one step nearer to that state of equilibrium.

I love that crackling sound that goes on in Tuesday. I like the tone, it's quite bright and airy, free. And, a very subtle beat, like the pulse of life itself.

Then, onto the Pleasure Boat, though the sea seems a little choppy at first, with a bit of a cold wind, even though the sun is shining. There is quite an intensity here which I think could be misinterpreted, is it a sardonic piece, I'm not sure. Either way it is very powerful and transcendentalist, though I think for an experienced self. No tinkering about here.

Every minute of every day is like a reawakening for me, I'm like the proverbial goldfish in a bowl, lost in Jamendo land, trying to find my way to myself, wandering through rooms of music and corridors of rhythm, with cool, northern lights elucidating which way I should turn next. Sometimes I force the issue, and I felt I needed to say thanks back, and a few positive words, in the hope that it graces the creator of such fine music and who is so openly expressive and earnest in what he does and says.

Thanks for sharing softspace again. And thank you for the compliment. :-)

 

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